u2Final Draft, Inc. Final Draft&FFFF000000060002000177AA000000000083000000002000110110399000480048-24F1864920048-11B0E01B0E41B0E01B0E406400647C18649270FFFF0106037100001000011C10000003D067C408404F784A122366503CE001489784A1112067CE634084014A178ABD2237CD03CC003AB1C0ABD16F0E631479408401ABD78F4B20760303CC004F3FC0F4B13E014791EAC408401100D7817FD228A2D03CC00717F1C017FDE301EAC24134084017FD781DB921555A03CC0091DADC01DB9114024132985408401DB97822231F955F03CC00A2217C0222313E02985322B4084022F1782CB722388E03CC00E2CABC02CB71610322B37A3408402CB778319922355D03CE00F318DC03199176037A33DA84084031997836F52075FE03CC001136E9C036F5EA03DA848504084036F578414B215A8703CC0014413FC0414B1A004850524A40840414B784AE12239F003CC00174AD5C04AE1FF0524A5DAA4084014AE178557521CB5B03CC001B5569C05575DC05DAA62FE40840557578594F22354B03CC001C5943C0594FF8062FE671340840594F785C8122340103CC001D5C75785C81FD067136D9D408405C817862E522365C03CE001F62CD7862E51B306D9D71324084062E578662F22338F03CC00206623C0662FE3071327AE040840662F786D3B22399B03CC00226D2F786D3BF607AE0839C408406D3B7875392238B603CC0025752D7875399B0839C89DA408407539787A3F22362803CE00267A27787A3F10B089DA9046408407A3F78804F21566703CC0028804378804F940904696D340840804F7885CF21567703CC002A85C3C085CF153096D3A3C14084085CF788EF9223CB903CE002D8EE1788EF91E40A3C1AA7E408408EF97894B52236A403CC002F94A9C094B51680AA7EB0904084094B5789AD12235FD03CC00319AC5C09AD114C0B090B6DB408409AD178A12921564103CC0033A11DC0A129FF0B6DBBCFD40840A12978A7A522360103CE0035A78178A7A51580BCFDC65B40840A7A578AFAD22395503CE0037AFA1DDAFAD1150C65BCE8640840AFAD78B62922382003CC0039B61DC0B6291060CE86D4AC40840B62978BBF122361A03CC003BBBE5C0BBF110D0D4ACDB11408401BBF178C1D122365F03CC003DC1C578C1D19B0DB11E30E40840C1D178C8F52237F203CE003FC8DD108C8F514E0E30EE91940840C8F578D05722360203CC0042D04BC0D057F80E919EF4840840D05778D58122362503CC0043D575C0D581FF0EF48F55840840D58178DB9D2235DA03CE0045DB8578DB9D1EB0F558FB7F40840DB9D78E11D22360B03CE0047E111C0E11D17D0FB7F101D440840E11D78E7A522363D03CC0049E79978E7A51190101D41073640860E7A578ECD122355803CC004BECC5C0ECD1FF01073610ECF40860E8AD78EF5922877B03CC004DF389C0F39518B010ECF10FFA40860EF5978EFF5228F003CE004DF41978F43120E010FFA1160E40860EFF578F5692235F703CE004FF999C0F9A518401160E11C4640860F56978FB6D22862D03CC0051FF9DC0FFA9106011C46122F140860FB6D78101D121569803CC005310601C01060D13E0122F112A1D40860101D1781081122871903CE005510C41C010C4D13E012A1D136A740860108117811509228C7603CC005911939C0119451450136A7139B14086011509781180B22330103CE005A11C3BC011C47F80139B1140F14086011180B7811EC322373603CC005C122F3C0122FFFF0140F11472E4086011EC3781245B22361C03CC005E1288BC0128971A001472E14CAA408601245B78128D122856403CC005F12D01C012D0D161014CAA1529C40860128D17812ED52285E803CC006113305C013311FF01529C158C14086012ED578135B121561E03CE0063139D5108139ED1320158C115EFA40860135B17813BCD21C62003CC006513FFD7814009120015EFA167984086013BCD781429D22388603CC0067146CDC0146D916101679816DD4408601429D781477522862503CC006914BA57814BB1112016DD4178F6408601477578150F3223AE803CE006C1550B781552F2070178F61819B40860150F3781585F22387C03CE006E15C837815C9B19001819B18815408601585F7815E0F21C65203CE007016233781624B18901881518E484086015E0F781633B2235F803CE00721675F781677720E018E4819BF2408601633B781706F223D8103CC00761749F78174AB190019BF21A239408601706F78174CD21C63D03CC0077178FDC017909FF01A2391A8F640860174CD7817A9521C69A03CE007917EC5C017ED11AE01A8F61B3344086017A957818649223A3E038E007D18A6D10818A8510800002000006820000000067C,FADE IN: INT. supreme court - DAY Supreme Court Justice ROBERT MOORE takes his seat in the judges chair. He puts on a pair of reading glasses and opens a file. The defendant PHIL CATALANO, and his lawyer ED LIEBERMAN, await the Judges decision. Ed (whispering) Here we go. Judge moore All rise. The people in the courtroom stand up. JUDGE MOORE The matter before this court involves the issue of whether or not the defendant Phil Catalano violated New York States Nuisance and Abatement Law 7-706 by engaging in the unlawful sale of narcotics. Based upon the testimony of two undercover narcotics officers who averred that the following crimes did occur at the location of your business, I find you guilty of the charges that have been brought upon you by the District Attorney of the State of New York. Phil puts his head down and covers his face with his hand. JUDGE MOORE I hereby order the immediate closure of the facility and all of its operating permits. EXT. front door of nightclub coma - DAY A New York City Marshal dead bolts the front door. EXT. steps leading up to courthouse - DAY Phil and Ed are being followed by the press. They stop to answer questions. Reporter Do you have any reaction to the judges decision? Ed This is a complete injustice to my client and the people of New York City. REPORTER What about the testimony of the undercover narcotics agents? ED Those agents couldnt link any activity to my client. He is a nightclub owner not a drug dealer. There are drug dealers in every bar and club in New York City. Does that mean that we should shut them all down? Thank you. No more questions please. Phil and Ed walk away. 0002000007ED0000067C7E7,Phil You handled that rather well. Oh shit. ED Whats the matter? Waiting at the bottom of the stairs is a women named MRS. OCONNOR, who is with a few supporters that are holding up signs of a teenaged girl. PHIL Its Mrs. OConnor. This fucking lady is going to haunt me for the rest of my life. EXT. gennerrOS RESTAurant - dAY A sign in the window reads Gennerros. Customers enter the restaurant. InT. restaurant - EVENING Phil is sitting at a table eating dinner with his bosses, ARTHUR GENNERRO SENIOR, and ARTHUR GENNERRO JUNIOR. A business associate named LORENZO CABACONE is also dining with them. Junior (to phil) I just got a pone call from a friend of ours at the post. Do you know your page three tommorrow? Phil I dont enjoy the publicity, Junior, like other people in our business. Cabacone (to phil) Do you know whether or not they are going to mention us? Phil ignores the question and continues eating. Cabacone waits patiently for a response. Phil continues to ignore him. JUNIOR Hey, Phil, we just asked you a question. PHIL No, he asked me the question. He points his finger at Cabacone. CABACONE What the fuck is that supposed to mean? PHIL It means that youre not my fucking boss. So dont ask me any more questions. Tension fills the air. Senior All right. Enough of this macho bullshit. Junior, I want you to call our friend over at Channel 7 News and find out whats going on. I hope that they dont mention us, Phil. For thirty years I have kept this family out of the limelight and I intend on keeping it that way. JUNIOR What are your plans now, Phil? PHIL Im going to open up another club. JUNIOR How the hell are you going to do that? They took away your licenses and your permits. You cant own a nightclub in New York City. PHIL Come on, Junior, what do you think? That Im the only club owner in New York City thats been shut down? A few moves on the street, and I will be back in business by New Years Eve. CABACONE New Years Eve? How the fuck are you going to manage that? 00020000061C00000E63616,PHIL Hey, didnt I just tell you not to ask me any more questions? CABACONE Its in my best interest to help this family anyway that I can. So fuck you. PHIL No, fuck you, you kiss-ass. How much money do you bring to the table every year? Cabacone stands up in an act of defiance. Phil stands up. Junior stands between them. CABACONE I dont have to take this shit, Junior. PHIL Mind your fucking business, and you wont have to worry about it. Junior pulls Cabacone aside. JUNIOR (whispering) Look, technically he is right. Do me a favor. Go make that pick up for me now instead of later, all right? CABACONE He has no fucking respect, Junior. JUNIOR (whispering) I know, I know. The day will come when he has to answer to you. Until then, just forget about it. He slaps his face gently and gives him a hug and kiss. JUNIOR Now get out of here, before we piss the old man off. Cabacone leaves and Junior sits back down. SENIOR You know you two are lucky that Im an old man, or I would kick both of your asses. This is a place of business here. PHIL I apologize. SENIOR Now, lets get back to business. This after-hours shit that you got going on draws in a lot of money. But it also brings with it a lot of unwanted publicity. JUNIOR How about the tension it creates among the families? I got Angelo stopping by at least once a month breaking my balls. PHIL Look. You and I both know that the other families are just looking to stick their hands in our pockets. SENIOR Rightfully so. That area on the West Side that you operate on is not our territory. 000200000A3900001479A33,PHIL Hey, I got an idea. Why dont we just give them the two points that they are looking for? SENIOR (loud) Im not giving them shit. Those fucks have enough control over this city. PHIL I hear where youre coming from but theyre only going to earn on the door and the bar, and we all know that is not how we make our money. SENIOR You let me worry about the money. For the time being, I want you to run the sports book in the Bronx. PHIL Sports book in the Bronx? Give me a few months here to get things moving. When have I ever not come through? SENIOR Youve got do something to make money. JUNIOR What are your options here, Phil? There are two businesses that you know, gambling and clubs. PHIL Look, you dont need me to run the book until football season. Right? JUNIOR We have some high rollers that still owe us money on college hoops. By the time that you finish collecting, football season will be here. PHIL All right. How about we make a compromise here. If Im not up and running by football season, then Ill run the sports book. No questions asked. As far as your collections go, Ill put Vinny on it A.S.A.P. Hes a better man for the job anyway. JUNIOR I dont know, Pop. What do you think? A waitress pours more wine into their glasses. SENIOR Okay, under one condition. PHIL Whats the condition? SENIOR You dont step on anyones toes and I know thats hard for you to do. PHIL Ill do my best not to. Senior stares at Phil. EXT. phils backyard - DAY Phil is lying on a lounge chair next to the swimming pool, talking on his cell phone. His busty wife ERICA is lying next to him and is also talking on the phone. Their son JACOB is sitting next to them playing with action figures. ERICA (loud) She caught him with who? PHIL So you think it will take a year? ERICA She was black. Thats too scary. I would cut his fucking dick off. Phil turns to her with a concerned look, then he gets up and walks away. Living room - later Phil is enjoying a drink, watching television. Phils mother ANNA and his daughter LAUREN enter the room. Lauren Daddy, daddy. Lauren runs to Phil and gives him a hug. PHIL My little princess. Were you a good girl for Nonna today? She nods her head yes. Lauren Look at what I made for you today, daddy. She hands him a drawing. Insert - drawing A picture of a family and a dog. The father stands tall over the rest of the family. Back to scene Phil picks up his daughter and gives her a kiss. She points out the characters in the picture. Phils mother is in the backround cooking. Lauren Thats you, thats me, thats Mommy, thats Jacob and thats Dino. 00020000056D00001EAC567,PHIL Why am I so tall? Am I on stilts here? Kathy Chio is covering a special report on television. KATHY CHIO ( V.O.) A judge ordered the closing of Club Palace, located on West 47th Street. PHIL Ma, can you take her for a few minutes? He kisses her goodbye. Lauren Bye, Daddy. PHIL Bye, sweetheart. Lauren and Anna leave the room. Phil turns the volume up on the television. Insert - television KATHY CHIO (on TV) The club is the known hangout for users of the popular drug ecstasy. Last year marks the one-year anniversary of the death of the eighteen-year-old freshman from New York University, who died of a drug overdose while hanging out with friends at the club. Flowers were placed at the club and a candlelight vidil was held. Mrs oconnor (crying) My family and I would--. PHIL (O.S.) Great. The television shuts off. Office - later A knock on the door. PHIL Come in. An associate named VINNY TORRELLO walks in. Vinny How is it going, Phil? They hug and kiss. PHIL Family is good. Thats all I could ask for these days, Vinny. VINNY I heard what happened. Look, I got you might be interested in. PHIL Yeah? Whats that? Vinny sits. VINNY A queer joint on the West Side called Adam and Eve. Have you ever heard of it? PHIL Rings a bell. Who owns the it? VINNY A guy by the name of BOB BARTON. It just so happens that hes in the hole with CHARLIE MENA for two fifty large. 00020000057800002413572,PHIL Whos Charlie Mena? VINNY A connected guy. He works for ANGELO PALLAZOLLO. PHIL So how do I fit into play on this? VINNY Hes looking for protection. According to this guy Barton, Menas been pushing more product on him then he needs for the past three years, and now he is demanding payment. PHIL A place like Adam and Eve...I dont know. VINNY Have you ever seen this place? PHIL I might have driven by it once or twice. To tell you the truth, I dont remember. VINNY This joint is wide open. You couldnt ask for a better location. The only problem is that it needs to be renovated. PHIL All right. Ill take a ride over there and talk to the guy. VINNY Good. PHIL Tell him Ill be by on Tuesday. Ill just cancel my appointment with Ed. Cock-sucker just wants my money anyway. VINNY There is one thing though. This guy Barton is on the verge of a nervous breakdown, so do me a favor and take it easy on him. Poor guy was crying to me about Charlie Mena. (Laughs.) Charlie is about five three and a buck thirty soaking wet. I could kill him with a good fart. Speaking of farts. ...Vinny passes gas. PHIL You fuckin slob. Do that shit in your own house. Phil gets up and walks away towards the liquor cabinet. PHIL Do you want something to drink? VINNY No, I have to get out of here. Ive got Vicki waiting for me in the car. PHIL Why is she in the car? Invite her in. Erica is here. 0002000008AC000029858A6,VINNY I rushed her out and she didnt put any makeup on. You know how women are. Erica walks in. ERICA Whats that smell? VINNY I gotta go. PHIL Vicki is waiting in the car. ERICA (to vinny) Vicki is waiting in the car? What is she doing in the car? Why dont you invite her in? VINNY We are running late and she has no makeup on. ERICA Are you sure? I just started a pot of coffee. VINNY No, but thanks anyway. They kiss on the cheek. Vinny begins to exit the room. ERICA Bye, Vinny. Tell Vicki to give me a call. VINNY Okay, take care. Vinny exits. Erica walks over to a mirror. A look of disappointment fills her face. ERICA Can I ask you a question? PHIL What? ERICA Am I fat? PHIL No. ERICA No, seriously, look at me. She disrobes down to her bra and underwear. Phil stares at her and then walks close to her. PHIL Your tits look great hun. ERICA Im not talking about my tits. They begin to hug. ERICA Im talking about my body. You know everything. PHIL You mean this? He grabs her ass, then begins to kiss her. ERICA I need you to be honest with me, Phil. PHIL I am honest with you. He kisses her again and then lays her on the desk. They begin making love. INT. adaM & EVE - MOMENTS LATER The club is empty with the exception of two guys fondling each other. Phil and Vinny walk over to the bar. The bartender skips over. He has a gleam in his eye. VINNY Oh, Jesus Christ. Bartender Can I get you boys something? VINNY (arrogantly) Where is ... ? Phil makes a stop hand gesture to Vinny. PHIL (pleasantly) Can I speak to Bob? BARTENDER Bob Barton? PHIL He is the owner, right? BARTENDER Yes. PHIL Thats him. BARTENDER Okay, just a second. The bartender walks over to a phone in the back of the bar and picks it up. Then he returns. BARTENDER Hell be right out. PHIL Ill have Absolute and cranberry while Im waiting, and my friend here will have a Jack and Coke. BARTENDER One Absolute and cranberry and a Jack and Coke, coming right up. The bartender makes the drinks and serves them. Bob Barton appears. Bob Gentlemen. VINNY This is my boss, Phil Catalano. BOB Phil, nice to meet you. They shake hands. PHIL Nice to meet you, Bob. BOB Why dont we go up to my office so we can talk in private. 00020000057E0000322B578,Bobs office Is overlooks the club on the third floor. BoB (O.S.) We can get a birds-eye view of the club from up there. INT. bobs office - MOMENTS LATER Phil looks out a large window which overlooks the Dance floor. Vinny sits on a leather sofa and Bob sits at his desk. BOB You get a nice view of whats going on from up here. PHIL Hasnt helped you any, though, has it? BOB So you are aware of my problem, then? Phil walks over to the desk and sits across from Bob. He then lights a cigarette. PHIL Do you mind if I smoke? Bob passes an ashtray full of cigarette butts across his desk to Phil. Then he lights a cigarette of his own. BOB Are you kidding? Im up to two packs a day. PHIL So tell me, Bob, what can I do for you? BOB About ten years ago, my uncle died and left me this place. Flashback - adam & eve - ten years ago The club is filled with men who are dancing with each other and fooling around. An older man is getting intimate with a middle-aged man at the bar. A younger Bob Barton is bartending. BOB (V.O.) At the time, I was working for my uncle as a bartender on the weekends. OLDER MAN Bob, I need two gin and tonics. Younger BOB barton Coming right up, Uncle Jim. Bob makes the drinks. OLDER MAN Thats my nephew. Middle-aged man Hes cute. Has he come out of the closet yet? OLDER MAN Not yet... but he will. Bob serves them their drinks. Bob For you that will be $500. 00020000060B000037A3605,They all laugh. His uncle places his hand on his face and gives him a sexual look. Back to scene Bob is day-dreaming. Vinny claps his hands. VINNY Bob, time is money here. BOB You see my uncle was able to keep the place busy. After he died, things were never the same. PHIL Im so sorry to hear that. It sounds like a real sad story, Bob, but Ive got my own sad story. So why dont you tell me whats on your mind? BOB About three years ago, I tried to save myself a few bucks. I started buying my alcohol from a guy by the name of Charlie Mena. Business was slow, and I told him that I couldnt afford to keep spending the way I was. He told me Bob dont worry about it, Ill give you a line of credit, and you can pay me back when things pick up. PHIL Let me guess. Things never picked up? BOB No, they got worse. PHIL How much do you owe him? BOB About a quarter of a million dollars. PHIL If youre looking for a loan shark, I can put you in touch with someone. BOB Then what? They will want to kill me in a year. Im just buying time. Hes threatening to kill me if I dont pay him by the end of the month. PHIL So why dont you just pay him and get it over with. BOB Because I dont have it. I dont even have half of it. I... PHIL All right, enough, I catch your drift. But I didnt drive here from Long Island to listen to you bitch about your financial problems. The door opens and the manager, JIM SCARLET, barges in. BOB Oh good. Here is my manager. Jim Hey guys, sorry Im late. Fucking traffic on the expressway is a bitch. 000200000AAE00003DA8AA8,PHIL You mean the Long Island Expressway? JIM Yeah, the LIE. PHIL I just came from Long Island and there was no traffic at all. As a matter of fact, I got here in 25 minutes and thats coming from Exit 40. JIM There must have been an accident or something. PHIL Youre full of shit. There was no accident. Youre just late. JIM ( TO BOB) Who is this guy? BOB Thats Phil ... PHIL Im the guy that your mother warned you about, and I dont talk business with liars. Especially queer ones. Jim is thrown off guard. PHIL (TO BOB) If you want to talk another stitch of business with me, then tell this asshole to take a walk. Understood? JIM Hey. Vinny becomes agitated in his seat. BOB Jim, why dont you go downstairs and see whats going on behind the bar. JIM Okay. Ill see if the bartenders need more stock. BOB Good idea. JIM Bye. He looks at Vinny and Phil, and they return the look with a mean stare. He leaves. BOB I apologize for him. Jim can be a pain in the ass at times. Phil Look, Bob, Im going to be honest with you. To protect you from Charlie Mena, Im going to have to pull some strings. BOB So you can help me? PHIL Only if its in my best interest. BOB What do you want? Phil walks over to the window. PHIL I need to see the basement. BOB Sure. Basement - same A wide-open basement with some file cabinets and a desk. PHIL This will do. Bobs office - same Bob sits at his desk, Vinny sits on the sofa and Phil looks out the window. PHIL I think I have an idea that just might save your ass, Bob. BOB Im all ears, Phil. PHIL Ill take care of your problem with Mena, provided that you and I come to terms on a few things. BOB What are those terms? Phil First, I want complete control of your business and all of the decision-making. BOB What else? PHIL You own the joint on paper. If anyone was to ask you what my involvement here is, you deny even knowing me. Understood? BOB Not really, no. PHIL Well, then maybe Vinny and I should leave and let Charlie Mena eat you for breakfast. How does that sound? BOB We both know that is not what I want. Why do you think that I'm sitting here talking to you. Im just a little confused, Phil. PHIL Confused? Okay, let me make it simple for you. Without my protection, Charlie Mena is going to chop you up into little pieces and throw you in the Harlem River. Still confused? BoB I think that Im catching your drift. PHIL Good. As far as the money goes, Ill cut you in on ten percent of the profits. BOB Ten percent seems kind of low, Phil, dont you think? PHIL No, and for a couple reasons. Number one I have to fix this shit-hole up. Thats going to cost me over a hundred dimes. Number two, I have to buy your debt from Mena, and his people dont come cheap. 000200000A00000048509FA,BOB Can I have some time to think about it? PHIL You know what? Im out of here. Lets go Vin. Vinny and Phil stand up to leave. BOB Look, its just a lot to swallow in one conversation. VINNY (yelling) Would you rather swallow a bullet? BOB No, I wouldnt, Vinny. Can you give me 24 hours to think about it? Phil sits back down. PHIL Listen to me, Bob, and listen very carefully. If I walk out of this office today, and we dont shake hands on a deal, then Im out. There will be no deal tomorrow or the next day. Its now or never. BOB Your offer is rather tempting. VINNY Tempting. What are your options? BOB I guess I have no other options. Phil reaches his hand out. Bob goes to shake it. Phil pulls his hand back. PHIL Before you shake my hand I want you to understand one thing. In my world, a deal is a deal. If you try to fuck me or back out in any way shape or form, Ill make Charlie Mena look like Mother Theresa. Do I make myself clear? BOB Yes. Insert - handshake Back to scene BOB Im putting my life in your hands, Phil. PHIL Ill be here tomorrow at noon with my contractors. Have a key ready for me. Phil walks to the door and then stops. PHIL Oh, Bob, I almost forgot, there is one more thing that I need from you. BOB Whats that, Phil? PHIL Your office. Take care. Vinny and Phil leave. Bob lights a cigarette. BOB (to himself) Great, now Im in the fucking mob. INT. GENTLEMAN'S CLUB - NIGHT Phil enters. ANTHONY BARONE and CARMINE COSTA are there to greet him. Carmine Look who is here . The fucking vampire. Hey, I thought you guys only come out after midnight? Phil greets them both. PHIL How are you guys doing? ANTHONY Good, kiddo. Frankie is in the back getting a lap dance from one of the new girls. Back room Frankie is getting a lap dance. Phil enters and sits next to him. Frankies head is in between the strippers breasts, and he doesn't notice Phil. PHIL Hey, old man, is that you buried in those tits? Frankie pops his head out. FRANKiE Look who is here? I see you on the 6 OClock news, I read about you in the Post... We should start calling you Teflon Phil. Frankie taps the girl on the ass. FRANKiE Go on now, sweetheart. Take a walk. Daddys got to talk business. The girl leaves. Carmine enters. PHIL You look good. I see the Viagra is working. FRANKiE Viagra. Are you fucking kidding me? I got more juice in my balls at 60 than the Army, Navy and the fucking Marines. CarMINE Its true he has fucked every dancer in ... FRANKiE Hey Carmine, watch the way you talk about my girls. Take a walk with me, Phil. 000200000B660000524AB60,Frankies Office Frankie is sitting behind his desk, and Phil is sitting across from him. FRANKiE So, I hear youre going to be running the sports book this football season. PHIL Bullshit travels fast, huh? FRANKiE If the boss tells you that youre running the sports book, then youre running the sports book. PHIL I bought some time with the old man. Hes giving me a few months to put something together. FRANKiE You know that old man really loved your father. Maybe he sees a little bit of him in you. Do you remember Studio 54? You saw the movie? Right? PHIL Yeah, I saw the movie. FRANKIE That was your father who handled that account. So what do you got in the works? Anything good? PHIL A fag club on the West Side called Adam & Eve. FRANKiE Thats ANGELO PALLAZOLLOS territory. You cant do business over there. PHIL Its a little too late for that Frankie. FRANKiE I cant see how the old man is going to let this one fly. He must be getting greedy in his old age. PHIL Business is slow. What can I say? FRANKiE Between you, me, and the four walls. This guy is making a lot of enemies. If I was the boss, I would have said no. PHIL Thank God youre not the boss, because I dont want to run the sports book. Especially out of the fucking Bronx. FRANKiE Your father would be proud of you. Frankie gets out of his chair, walks over to Phil and gives him a hug. FRANKiE I gotta go kid. I got a meeting with Angelo tonight. Theres no beef between you two, right? PHIL Not yet. FRANKiE Tell that brother of yours not to be a stranger. INT. ADAM & EVE - DAY - THIRTY DAYS LATER MONTAGE - A CONSTRUCTION CREW IS WORKING -- A wall is torn down. -- A new floor is being installed. -- Electricians wire lights on the ceiling. -- A man carrying a pipe walks in. Back to scene Phil enters with a tall black transvestite named ATHENA. ATHENA You better tell that mother fucker SERGIO to stay away from me, or Ill fuck his world up. PHIL Look, Athena, Sergio is my only male dancer for opening night. Do me a favor and dont fuck with him. ATHENA Do you think that he would at least let me suck his cock? PHIL Now, why would you ask me such a stupid fucking question? Of course he would. So go suck his cock and make yourself happy. Just dont hurt the guy. Phil walks away. Phils Office Phil looks out the window and sees The first and second floor of the club. Construction workers are laboring. He closes the blinds. A knock on the door is heard. PHIL Come in. A freaky-looking club promoter named JASKI walks in. PHIL Well, look whos back in town. They hug each other. Phil sits at his desk and Jaski sits on the couch and looks out the window. Jaski So this is it? Not bad. PHIL How was Europe? JASKI Europe was good. I partied in London for a week straight. You know American people just dont understand how hard Europeans party. I had this one girl and all she wanted to do was fuck, every hour dog. 00020000055A00005DAA554,PHIL I must confess, Im jealous. Ever since the trial, I havent had a chance to fuck anyone besides my wife. JASKI You ditched Nikki? Hey, did you bring those Dee Jays? JASKI I didnt forget about you, dog. Ive got Dee Jay Ramone downstairs with his shit, and Anthony Spice is coming tonight. Oh, and I forgot to mention about 15 of the sluttiest girls from Jersey are coming with him. PHIL Theyre hot, huh? JASKI I only hang out with hot girls, dog. Phil picks up the phone and calls the project manager, Ralph. PHIL Hey, Ralph, its Phil. How is it going? Good, I need you to have the VIP room ready for tonight.... Tomorrow is not good enough Ralph, I need it done by eight tonight.... I said I need it done by eight.... Good, thats what I like to hear. He hangs up the phone. JASKI (laughing) Youre crazy, dog. PHIL While I got you here, there is something I want to give you. Phil walks to the closet and opens it. He pulls out a box of promotional cards. He takes one out of the box and hands it to him. PHIL Here, take a look at this. I want you to get these out for opening night. JaSKI Opening night? How am I going do that, Phil? PHIL Easily... get every club promoter that you know together and hit every club, mall and college campus within a fifty-mile range. Vinny has a box of 20,000 downstairs. That should keep you guys busy for a while. 00020000041B000062FE415,JASKI How about my rip on the door? PHIL Fill the place, and youll be taken care of. JASKI Im not saying that you dont take care of me. Thats just a big area, and I got to hit these kids off with gas money and hits. Phil walks over to the wall and removes a picture, revealing a safe. He opens the safe and pulls out a stack of hundred dollar bills. He throws the stack of money at Jaski. Jaski catches it. PHIL Here is enough gas and drug money for you and your buddies to drive cross-country and back. Its $10,000. Thats the rest of my promotional funds for opening night. Spend it wisely. And stop calling me dog. Im not your fucking dog. INT. VIP ROOM - NIGHT MONTAGE - A SMALL PARTY -- DJ Anthony spins. -- A guy and a girl dance. -- A girl on drugs dances in a trance-like mode. -- A group of girls are sitting on the couch doing bumps of K. Back to scene Phil is sitting on the couch with Jaski and DJ Ramone. Jaski does a bump of coke. At the bar Sergio is standing. Athena walks over to him and looks at the bulge in his pants. 0002000006900000671368A,AtHENA Take a look at this. I can see why Rico says that youre not just another man. Athena rubs his nails on Sergios back. On the dance floor Josephine is dancing on a large speaker. On the couch Phil notices her and begins to stare at her. On the dance floor Josephine makes eye contact with Phil and slowly begins to touch herself. On the couch Phil is getting extremely turned on. Jaski leans over to him. JaSKI You just love that pussy? Dont you dog? Phil continues staring. PHIL Why did you invite her here? JASKI I didnt. When you look that good, my brother, you dont need an invitation. PHIL I guess youre right. On the dance floor Josephine continues to dance seductively. A glass breaks interrupting her. At the bar Sergio falls back and is bleeding from his white slacks. Sergio Ah, you fucking bitch. You cut me. He clenches his fist and throws a punch at Athena and lands it. Athena is not fazed at all. She kicks him in the balls, and he drops to his knees. Then she gives him an uppercut. AthENA Gleason's gym bitch. Ronnie and two bouncers restrain Athena. Ronnie Get him out of here. The bouncers begin to walk Athena away. ATHENA (screaming) Ill be back for the rest of it. Sergio is curled up in a ball on the floor, holding his groin and bleeding from the face. RONNIE Sergio, are you okay? Let me see what she did, man. SeRGIO (crying) I dont know, man. RONNIE (to a bouncer) Take him to the hospital. Just dont tell them that this happened here. SERGIO (crying) She is fucking loca. Phil arrives. PHIL What happened? He looks at Ronnie. Ronnie has no answer. PHIL Sergio, tell me what happened. Phil looks into the terrified face of Sergio. 00020000039B00006D9D395,SerGIO I told her that she had a dirty ass and she cut me man. Insert - bloody white slacks Back to scene PHIL Looks pretty bad. Did she cut it off? Sergio hesitantly looks down his pants. SERGIO (crying) This isnt good man. He reaches down his pants, and pulls out the head of his penis. The surrounding crowd moans. PHIL Get him to a hospital, and keep that crazy fuck out of here. INT. gennerros RESTAURANT - dAY ANGELO PALLAZOLLO, Charlie Mena and JOHN ROMEO are sitting at a table. Junior arrives, greets them and then sits down. JUNIOR Sorry to keep you gentlemen waiting. I understand that there is a problem with an associate of mine. ANGELO We have a beef with Phil. JUNIOR Whats the problem? ANGELO Charlie here has been handling an account on the West Side for the past three years now. A place called Adam & Eve. Soon to be The Factory. Word on the street is that Phil has taken the joint over. 0002000009B4000071329AE,JUNIOR Im aware of this. ANGELO Are you aware that the gentleman who owns the club is in debt to a certain liquor distribution company for $250,000? JUNIOR We can offer a hundred grand for that debt. CHARLIE (to junior) So, we should take a hit for a hundred and fifty thousand? JUNIOR With all due respect Charlie, if Phil doesn't step in and take this place over, then youre taking a hit for the whole 250. AngELO A hundred thousand is more than reasonable, Junior... provided that we're cut in on a piece of the action. JUNIOR What are you looking for? Angelo For prime real estate like that... five points. JUNIOR Five points is too high. My father will never go for it. ANGELO Well, thats why Im coming to you and not your father. With all due respect, Junior, when it comes to business, your father has proven time and time again that he is not a reasonable man. JUNIOR Hey, Angelo, I dont know who the fuck you think you are coming into my restaurant and insulting my father like this. ROMEO Lets not let this get out of hand. I have some other concerns myself. Why dont we put the dollars and cents aside for a moment. JUNIOR Im all ears, Michael. Romeo Look, we all know that Phil is very good at what he does. Sometimes too good. For the past five years that I have run Coma for my Uncle John, without fail, every Saturday night, my club and my parking lot are polluted with his promotional flyers. This, for one thing, has got to stop. JUNIOR Now that seems like a reasonable request but as five points are concerned, Angelo, its more than unreasonable, its insulting. Two points is what we will offer. Take it or leave it. Enjoy your meal. Junior leaves the table. INT. gym at dea headquarters - DAY AGENT KEVIN LUTZ is bench-pressing, AGENT JOHN GRIZZO is spotting him. A large seal on the wall reads DEA. Grizzo Come on Kevin, one more. Lutz pushes through the bench press and then lets the weight rest. He wipes the sweat off his face with a towel. Lutz I cant stop thinking about this case. Why dont we send in another undercover? GRIZZO We tried that already, remember? We couldnt penetrate. The guy runs a tight ship. LUTZ We sent Spence in last time. The guy is old enough to be half these kids fathers for Christs sake. GRIZZO Well, then, tell me. Who are we going to send in? Me? LUTZ I dont know. Grizzo picks up a barbell and begins curling. A well-built, good-looking agent named ERIC PITTMAN enters. He has a tribal tattoo on his arm. 0002000008C200007AE08BC,PITTMAN Hows it going guys? Do you mind if I work in with you? GRIZZO No. Go right ahead Eric. Pittman puts more weight on the bar and begins pressing. Lutz and Grizzo look at each other. Grizzo (whispering) I know what youre thinking but the chiefs not going to go for it. Pittman continues to do repetitions out, revealing his muscular body. LUTZ (whispering) Ill talk to the chief. EXT. the factory - night Ronnie and Luther work security at the front door. Paris, the half-Japanese transvestite, checks their IDs. Paris Please move aside. Have your IDs ready when you step up. INT. the FACTORY - nIGHT The club is jammed packed wall to wall with people. The music is blasting and everyone in the club is in some sort of dancing motion. Vip room - same Vinny, Phil and Bob sit at a table drinking champagne. PHIL So Bob, are you having a good time? BOB Im having a wonderful time. Interesting group of people. VINNY Believe me, they get more interesting as the night goes on. BOB I bet. Is it hard getting people out when youre closing at the end of the night? VINNY Close? We dont close. BOB I dont understand. PHIL Our target market arrives at about four in the morning. BOB But you can only sell alcohol in New York City up until four... Im confused. Phil tosses a bottle of water to Bob. Bob catches it. BOB Thanks anyway. I have champagne ... wait a minute here. This is what youre selling? Water? PHIL We buy each bottle for fifty cents. Then we sell it for six dollars. BOB I dont understand, who would want to drink so much water so early in the morning? PHIL Everyone. On the dance floor Undercover agent Pittman walks through with a hot blonde named NICOLE. Nicole Dont worry, well find some hits. I know a dealer here. She looks through the crowd and spots a dealer named CYRUS. NICOLE Wait. Thats him. Just wait here for a minute. He doesnt know you. He might get sketched out. PITTMAN Tell him I want to be introduced, or Im not buying anything. NICOLE All right. Let me go talk to him. Ill see what I can do. She walks over to Cyrus and starts a conversation. Then she points out Pittman. Cyrus glimpses at Pittman with suspicion and then walks over to him with Nicole. Pittman is playing it cool. 0002000006440000839C63E,Cyrus Whats your name, man? PITTMAN Pete Blaze. CYRUS How many hits are you looking for, Pete Blaze? Pittman pulls out a roll of hundred dollar bills. Cyrus eyes light up when he sees the money. PITTMAN How much for fifty hits? Cyrus takes a step back. CYRUS Fifty hits. Do you have some friends here that I dont know about? PITTMAN I can dump them to my boys that live on Park Avenue. If you give me a good price, Ill be back next weekend for a hundred, maybe even two hundred. CYRUS Give me a second. Nicole, come here for a minute. Cyrus steps aside with Nicole. CYRUS How well do you know this guy? NICOLE I met him on the train a couple of days ago. I think his parents are rich. He lives in a penthouse on Park Avenue. They walk back over to Pittman. Cyrus puts a hit of Ecstasy in Pittmans hand. CYRUS Here, take a hit of this. Pittman slowly puts the hit in his mouth and then takes a drink of water. PITTMAN Thanks for the hit. CYRUS Seven hundred and fifty. Thats fifteen a hit. Next week, if you come back for the hundred, I can do even better. PITTMAN You got a deal, man. Oh, and I forgot to mention, Im throwing a little bash at my penthouse tomorrow morning. I got girls, a hot tub, heated pool and plenty of drugs now, thanks to you. CYRUS Penthouse, huh. PITTMAN Its my fathers place. He is away for the weekend on business in Germany. CYRUS Well, Ill be doing business here until about noon, but after that I think we could hook up. PITTMAN Sounds good, my limo will be outside to pick you up at noon. CYRUS You aint fucking around Pete Blaze. Cyrus slaps him five. 000200000672000089DA66C,PITTMAN Im 25 today. CYRUS 25. Well, here is a little birthday present for you courtesy of your nigga, Cyrus. Cyrus gives him a hit of ecstasy. PITTMAN Thanks, man. I appreciate that. CYRUS Hey, do you mind if I bring some friends with us back to your place? PITTMAN No, as long as they dont trash the place. CYRUS Hey, man, if youre with me, no one is going to fuck with your shit. Take a walk with me, I want to introduce you to some of the locals. Pittman follows Nicole and Cyrus through the club. Pittman discreetly spits out the hit of ecstasy and drops it on the floor. Vip room - moments later Jim Scarlet is cuddled up with a well-built gay man named Coby. JiM Do you always sweat like this? Coby Only when Im here. Jim rubs his hand against Cobys sweaty chest. JIM This is great. I should have done this a long time ago. COBY I need another bump. Jim pours a little coke on his hand and then puts it up to Cobys nose. Coby snorts it. Across the room Phil and Vinny sit on the couch and watch Jim and Coby. VINNY How much coke do you think he will suck out of him tonight? PHIL At least an eight ball. We got to do something about this guy. There is just something about him that I dont like. Across the room - same Jim is trying to dance. Coby does more coke. Across the room - same Phil and Vinny continue to watch. VINNY What about Bob? PHIL Hes got to stay for now. But this asshole has got to go and soon. Across the room Jim is trying even harder to get into the rhythm of the music. Coby clears his nostrils. InT. parking garage - five days later - day Carlos, Cyrus, Dillon and undercover Agent Pittman sit in a car. 0002000006930000904668D,Carlos Why do we always have to meet him in some shady ass place like this? CYRUS Hey Carlos, shut the fuck up. Youre the one who got us into this mess in the first place. CARLOS Hey, I dont see you rolling in the paper. DILLON Shut the fuck up. Here he comes. A black car pulls up. Phil, Vinny and Ronnie get out of the car. Phil stands directly in front of Pittman. PHIL Who is he? CyRUS He works for me. His name is Pete Blaze. PHIL Nice to meet you Pete Blaze, but I dont know you... so take a walk. Pittman walks away. PHIL Come on Cyrus. You should know better than to bring a stranger to a meeting. Frisk them. Vinny and Ronnie frisk Dillon, Carlos and Cyrus. PHIL Sorry boys. You know the rules. Now lets get down to business. We pulled in 5,000 of New York City finest drug addicts on opening night, and yet we only brought in $60,000. Can someone tell me what happened? DILLON I think there were other dealers working on the floor. Carlos There were definitely other dealers working on the floor. PhIL Well than why the fuck wasnt I told? Phil gets no answer. PHIL Come Saturday, I want these other dealers pointed out; and if you three jerk offs cant pull in a hundred thousand dollars this weekend, then Ill find other dealers who can, and you could go back to the streets and sell crack for all I care. Are we clear? Cyrus, Carlos and Dillon all nod their heads in unison. PHIL Good, now does anyone know who these dealers are? CYRUS A friend of mine mentioned that she recognized one of them from a club in Staten Island. PHIL Well take care of this problem on Saturday night. Just make sure that you guys bring in a hundred grand and not penny a less. 000200000CF4000096D3CEE,Phil walks back to the car and gets into it. Vinny jokes around for a second with Carlos. The horn to the car blows. Vinny and Ronnie walk back to the car and enter. In the car Vinny pulls away. PHIL I bet you these Staten Island fucks cost us fifty grand on Saturday. Round the boys up for a ten oclock meeting in my office. Were going to have some fun with these pricks. INT. phils office - saturday night Phil does a line of coke. Ronnie and Vinny are in his office. PHIL All right. Let them in. Ronnie opens the door, and a crew of nine physically intimidating bouncers walk in. Ronnie hugs one of the bouncers. RONNIE Damn nigga, have you been eating dee ball again? Bouncer ( laughing ) As a matter of fact, I have. PHIL All right. Listen up, fellas. I need this done as clean and as quiet as possible. I dont want to scare any of our customers. We need to send a message to these Staten Island punks that there will be no more selling in this club. Phil dumps a large rock of cocaine on his desk and starts chopping lines. PHIL This should give you a nice boost. Enjoy. The bouncers start taking lines. They are making snarling faces and getting pumped up. Dance floor - same A Staten Island dealer sells a hit of ecstasy to a buyer while another dealer is talking with a girl. They begin to dance, but are interrupted by another customer. Dealer How many? Customer Three. The transaction is made. The dealer continues to dance with the girl. A flash of light shines into his eyes which blinds him for a moment. DEALER What the fuck? A brass-knuckled fist follows the light, knocking him out. The other dealer who is in the middle of a sale sees this happen and makes a run for it. Bathroom A well-built young man stares at himself in the mirror. He turns the sink on and splashes water in his hair. Two girls walk by and admire his good looks. He begins to flirt with them. Well built young man Whats up, baby? He looks back in the mirror and sees the reflection of Vinny and three bouncers. Vinny grabs him by the head and rams it into the mirror. Blood splatters all over the broken glass. The well-built young man melts down to the floor. VINNY You aint so pretty now. Bleacher area The other dealer who ran is trying to break through the crowd. He knocks a girl over. Other dealer Get the fuck out of my way. He turns the corner to see Ronnie and two bouncers. He turns around and runs the other way right into a very large bouncer who picks him up and carries him into the emergency exit. EXT. ALLEYWAY - NIGHT The door flies open and the other dealer is thrown to the cement. He gets up and tries to run away but is caught and beaten by Ronnie and the other bouncers. INT. bathroom The sound of girls screaming and the yelling of security to clear the bathroom is heard. The well-built young man is a bloody mess. Vinny drags him to a toilet and sticks his head into it and then pulls it out. WeLL BUILT YOUNG MAN ( gasping ) Please... dont kill me. ViNNY Whats a matta? I bet youre a tough guy in the gym. Ive never lifted a weight in my life and youre the one whose got his head in the toilet. WELL BUILT YOUNG MAN ( gasping ) Im not a tough guy. Im a pussy. Please just let me go. VINNY Tell you what. Ill think about it. Vinny shoves his head back in the bowl. Phil enters. 0002000006C30000A3C16BD,PHIL Let him up. The well-built young man is pulled up from the toilet bowl to face Phil. WELL BUILT YOUNG MAN (crying) Please let me go. Ill give you money. PHIL Money, I dont want your money. Do you know what I want? WELL BUILT YOUNG MAN (crying) No. Phil reaches down his pants and pulls out a bag full of ecstacy. PHIL You didnt think that I wanted to grab your cock, did you? I mean you look good and all but thats not my thing. Im into lesbians. So tell me, handsome... do you want to live? WELL BUILT YOUNG MAN Yes, yes I want to live. PHIL Then never ever show your face in this club again. Do you understand me? WELL BUILT YOUNG MAN Yes sir, I understand. PHIL Get him out of here. Phil opens the bag of ecstacy and scrutinizes the pills. EXT. alleyway - night The other dealer is being held by one of the bouncers, while the other bouncer punches him in the gut. RONNIE All right, Enough. They drop him to the floor and Ronnie bends down on one knee next to him. He reaches into his pocket and pulls out a money clip filled with hundred dollar bills. RoNNIE Well, what do we have here? Looks like you're having a pretty good night. Ronnie puts the money in his pocket and gives the other dealer back his clip. RONNIE What else do you have for me, boy? Stand him up. The bouncers pick up the other dealers limp body. Ronnie reaches into his pocket. RONNIE Nothing here. He frisks the other dealers groin area. RONNIE Well, what do we have here? He pulls out a bag. He reaches into the bag and pulls out a vile of K. He hands the drugs to one of the bouncers. RONNIE Hey boy, can you hear me? The other dealer responds with a nod of his head. RONNIE Do you know what happens to you if you ever come back here? 0002000006180000AA7E612,OTHER DEALER (sluggish) Ill never come back here. RONNIE Get him off the premises. Ronnie walks away. The bouncers carry him to another alley across the street. EXT. alleyWAY - nIGHT BOUNCER one We cant leave him here. You can see him from the street. The other bouncer grabs garbage bags and covers up the other dealer with them. Other bouncer There, now, you cant see him from the street. The bouncers walk away. The other dealer is lying on the floor, covered in garbage bags. INT. second level dance floor of factory - nIGHT People are dancing. Cyrus and undercover Agent Pittman walk through the crowd. PITTMAN These hits kick ass, man. CYRUS Here is another Simpson. Cyrus hands Pittman the pill. PITTMAN Thats my third hit dude. CYRUS Dont worry, your first two hits were speedy. These Simpsons are more trippy. PITTMAN Like acid? CYRUS No, man, theyre just less speedy thats all. By six oclock, youll be asking for another one. PITTMAN Whatever you say man. Pittman pretends to swallow the hit and follows it up with a swig of water. Phils office Phil is looking out the window onto the Second level dance floor Where Cyrus and Pittman are. Pittman discretely drops the hit of ecstasy on the floor and steps on it. Phils office Phils eyes open wide. Then a look of concern is expressed on his face. PHIL Mother fucker. He grabs his two-way radio. PHIL Vinny, come in. VINNY (V.O.) Yeah, Phil. PHIL Theres a narc on the second floor. VINNY (V.O.) There are narcs in here every weekend. Dont worry. These guys know who to sell to. 0002000006510000B09064B,PHIL Normally I wouldnt be worried, Vinny, but this one is walking around on the dance floor with Cyrus. VINNY (V.O.) Are you serious? PHIL Im always serious when it comes to the law Vinny, you know that. Get Cyrus away from this guy immediately. VINNY (V.O.) Im on it. PHIL (TO HIMSELF) Stupid fuck. INT. bar - MOMENTS LATER Pittman is standing alone. He is looking around for Cyrus. Dillon and Carlos walk by. PITTMAN Hey, Dillon, have you seen Cyrus around? Dillon and Carlos walk away ignoring Pittman. Phil appears. PITTMAN Hey, Phil. Im Pete Blaze I met you last week. PHIL Yeah, Pete Blaze. I remember you. How are you doing? PITTMAN Good, good. Im looking for Cyrus, have you seen him around? PHIL Cant say that I have, Pete. Phil calls the bartender MIKE over. PHIL Absolute and cranberry and whatever my friend here is drinking. PITTMAN Ill take a water. Thanks Phil, these hits have got me flying off the wall. PHIL I bet. Phil leans over to the bartender. PHIL Give me a bottle of water. The good stuff. BarteNDER MIKE (smiling) Absolute and cranberry and a water coming right up. The bartender walks away. PHIL So Pete Blaze, tell me, are you having fun yet? PITTMAN Im having a great time, Phil. You sure know how to throw a party. The bartender Mike returns with the drinks. PHIL Here you go, Pete, youd better drink up. You dont want to dehydrate now. Phil watches as Pittman drinks the water. Insert - water with green tint PITTMAN Thanks, Phil. That hit the spot. PHIL A little friendly advice Pete. If youre going to drop ecstasy then make sure you keep drinking a lot of water. 0002000006280000B6DB622,Phil signals to the bartender. PHIL Mike, another water, please. BarteNDER mike Another one? Phil gives a wink. The bartender Mike reaches under the bar and grabs another bottle of water. Insert - water with green tint PHIL Here you go, Pete. Pittman drinks the water. PITTMAN Thanks again Phil. Hey Phil, can I ask you a question? PHIL Sure Pete. PITTMAN Do you know where I can get some K around here? PHIL Im not a drug dealer, Pete. Im a nightclub manager. PITTMAN Im sorry, Phil. I didnt mean any disrespect. Its just that Cyrus was supposed to hook me up, and I dont know where he is. PHIL I dont know what to tell you, Pete. Pittman is beginning to break out in a heavy sweat. PITTMAN Man, its hot in here. PHIL You think so? Pittman starts to become disoriented. PITTMAN I dont feel so good. PHIL Maybe its the GHB. PITTMAN GHB? PHIL Gamma Hydroxybutyric. Its some heavy shit. PITTMAN ( nervously ) I didnt take no GHB. PHIL Yes, you did. PITTMAN I said I took a hit of E. Not GHB. PHIL Take a look at your water, Pete. Pittman looks at his water. Insert - water with green tint Pittman becomes angry and begins breathing heavily. PHIL Drugs will kill you, man. You got to slow it down a bit. Phil pats Pittman on the back. PHIL I gotto go. See you later. Phil begins to walk away. Pittman charges at Phil in a rage. Two bouncers stop him dead in his tracks. PITTMAN ( yelling ) You mother fucker. Im going to get you if its the last thing I do. Pittman becomes more disoriented. Security carries him away. INT. vip room at factory - nIGHT 0002000009640000BCFD95E,Jim Scarlet has his arm around Coby, who is giving him a hand job. JIM Coby, will you marry me? COBY I cant marry you. JIM Why not? COBY First, because two men cant get married. Second. Coby looks down at Jim penis. CoBY Youre just not big enough for me... if you know what I mean. JIM Are you saying that my dick is not big enough for you? COBY If you really want me to put it that way, yes. JIM Well, how about my good looks and charming personality? COBY Youre okay. Hey, can I get another bump? JIM You want another bump? COBY Please. Jim pulls out a bag of coke, then drops some on his penis. JIM Earn it bitch. He pushes Cobys head down to his groin area. Coby does the hit of coke and begins to perform oral sex on him. Jim lays back and enjoys the fellatio. A large arm comes from behind Jims neck and covers his mouth. Two bouncers grab each arm, leaving him motionless. Ronnie appears. RONNIE Thanks, Coby. You can take off now. Here, this is for you. Ronnie hands Coby the bag of Jims coke. Coby leaves. Jim is struggling to free himself. Ronnie pulls out a hypordermic needle filled with heroin. A drop spills out of the top of the needle. RONNIE This should mellow you out a little. Jims eyes open wide with fear. Ronnie carefully sticks the needle in Jims arm and injects the heroin. Jim begins to calm. EXT. the street in front of the club - nIGHT An ambulance with its sirens on is parked. A paramedic covers the dead body of Jim Scarlet. INT. philS office - mOMENTS LATER Phil is sitting at his desk. The door opens and Vinny pushes Cyrus into the office. CYRUS Easy man. Vinny pushes Cyrus onto the couch. VINNY Shut up. CYRUS Whats going on, Phil? I didnt do anything. PHIL No, you didnt. But you are stupid, and you do have knowledge about my operation that I wish you didnt have. VINNY Maybe he is wired. PHIL I dont think he is, but check him anyway. Vinny rips open Cyrus shirt. CYRUS Ah, what the fuck, man? Phil, Im straight. How long have I been working for you? PHIL (yelling) That dont mean shit. You brought a fucking narc in here. CYRUS (crying) I didnt know he was a narc man. PHIL (yelling) Because youre stupid. Any of the other guys would have smelled that fucking pig from a mile away. Lucky for me I saw him drop his fucking hit on the floor. CYRUS (crying) I fucked up, Phil. Im sorry. PHIL Youre damn right you fucked up. CYRUS (crying) 0002000008310000C65B82B,How can I make it up to you? PHIL You can start by forgiving me. CYRUS Forgiving you for what? Phil nods his head to Vinny. Vinny wraps a plastic bag over the head of Cyrus. Cyrus struggles and tries to get away. He manages to reach Phils desk and knocks an ashtray and a picture off it. Vinny quickly overpowers Cyrus. During the last seconds of Cyrus life he manages to make eye contact with Phil. They stare at each other for a brief moment before Cyrus dies. Vinny then drops his lifeless body to the floor. VINNY (winded) Squirmy little fucker. Series of shots - the club A. The dance floor is packed with people dancing. B. Carlos sells drugs to a customer. C. A joint is being passed around. D. A dancer with glow sticks. E. Josephine dances in a cage. F. A transvestite performs a show. G. A light show from above. EXT. geNNERROS RESTAURANT - EVENING Bobs enters the restaurant. INT. gENNERROS RESTAURANT - EVENING Phil is sitting at a table with Josephine. She is laughing and falling off her seat. Phil pours champagne in her glass. Bob appears. BOB How are you guys doing? PHIL Good, Bob. Take a seat. Here. Have some champagne. Phil pours Bob a glass of champagne. BOB Thanks. But unfortunately I didnt come here to celebrate. His hands are shaking as he chugs the glass of champagne. PHIL You drank that rather fast for a guy who isnt celebrating. Phil pours more champagne in Bobs glass. Josephine starts laughing. Bob looks at her strangely. BOB What is she on? PHIL What is she not on? Josephine Im laughing at you because you're so nervous. Look at your hands, theyre shaking. Bobs hands are shaking as he drinks the champagne. BOB Its your behavior that is making me nervous. JOSEPHINE Im making you nervous? BOB Yes, you are. Josephine looks at Phil. JOSEPHINE (in spanish) Is this queer boy serious? PHIL (in spanish ) Give me a minute, baby. JOSEPHINE (IN SPANISH) Faggot. Josephine gets up from the table and walks over to the bar where she is still in Phils sight. PHIL Youll have to excuse her. Give her a few drinks and she becomes quite ferocious. 00020000062C0000CE86626,BOB Thats okay. I understand. PHIL Whats on your mind? BOB (nervously) Whats on my mind, Phil, is a few of the bad elements that are involved in our business. PHIL And what elements are those? BOB All kinds of drugs, Phil. Drugs Ive never even seen or heard of before. PHIL You mean like the drugs that your friend Jimmy was using? BOB Look, I know that Jimmy was no angel but it was not like him to use heroin. PHIL But he did. Didnt he? BOB Yes, he did, and at this point, theres nothing that I can do to change that except try to help others. PHIL Look, Bob, you cant stop the world from living. People are going to do drugs. We dont condone it, but its going to happen anyway. Phil looks over at Josephine, who is staring at him from the bar. She spreads her legs and gives him a small peep show. PHIL Holy shit. BOB What did you say, Phil? PHIL Nothing, nothing. Go ahead. Bob pulls out a newspaper article and hands it to Phil. BOB I want you to read this. Phil reads. BOB Kelly OConnor. Does the name sound familiar? She lost her life doing ecstasy in your club. I just cant be involved in a business like this, Phil. PHIL I understand that youre upset about what happened to your friend Bob, but thats not my fault. Phil throws the article back at Bob. PHIL And neither is that. Why dont you go talk to her parents? BOB Here. I want to show you something else. Bob pulls a hit of ecstasy out of his jacket pocket and shows it to Phil. PHIL Dont pull that out here. BOB Why not? If its okay in our club, then it should be okay here. Look, do you see? 00020000066B0000D4AC665,Insert - pill with cartoon character BOB There is a cartoon character on it. Do you see? PHIL Yeah I see. I just dont see what your fucking point is. BOB Im going to be blunt with you Phil. Bob puts the hit of ecstasy into his water where it begins to dissolve. BOB Im going to take the advice of my lawyer and close the club at four oclock. PHIL Youre a funny guy Bob. Here, have some more champagne. Phil begins to pour champagne into Bobs glass. BOB I dont want more champagne, Phil. I mean it. Im closing the club at four. PHIL Youll do nothing of the sort. BOB Watch me. PHIL Believe me, youre not going to close shit. Come tomorrow, youll change your mind. BOB I dont think so, Phil. PHIL I know so. Now get the fuck out of here. You make me sick, you ungrateful lowlife. BOB Phil, Im not - PHIL ( angrily ) I said get the fuck out of here. Now. Bob gets up and walks away. Phil looks at a table where two guys are sitting. He nods his head to them. The two guys get up and follow Bob out of the restaurant. Josephine sits back down at the table. JOSEPHINE I thought he would never leave. PHIL Ive got to make a phone call. Phil reaches for his phone but cant find it. PHIL Ah, fuck, I forgot my phone. EXT. street - NIGHT Bob is walking down the street. The two men that followed him out of the restaurant are walking behind him. He turns around and notices them. He begins to walk faster, but so do they. A car pulls up next to Bob. The two men grab him and begin to push him into the car. BOB What are you doing? First man Get in the fucking car. The two men get into the car with Bob. The car then speeds away. 0002000008030000DB117FD,EXT. rooftop of a high rise building - nIGHT Bob is standing near the ledge, facing the street with a pillow case over his head and his hands tied behind his back. The two men are with him. Vinny comes walking over, unties his hands and rips the pillow case off his head. Bob looks down and sees the street. He falls back out of fear. BOB Oh. My god. Vinny grabs him and hangs him off the ledge. VINNY Take a look down, asshole. BOB Please dont throw me off. Vinny picks him back up and lights a cigar. VINNY You know you got a fucking pair of balls on you. We save your ass from Charlie Mena, and this is how you repay us. BOB (crying) All that I said is that I want to close the club at 4 Vinny. Were not selling that much water at that time, anyway. Everyone is refilling at the water fountain. VINNY Thats not your fucking business. You dont tell us what time to close. BOB I didnt mean to upset you like this, Vinny. VINNY Upset me. You didnt upset me, you upset Phil. If you upset me, I would have thrown you off the roof already. BOB Tell Phil that Im sorry, and I didnt mean to get him mad. From now on Ill mind my business. VINNY You better or the next time... Vinny hangs Bob over the ledge. VINNY Im going to drop you twenty stories. Do you understand? BOB Yes, I understand. VINNY (yelling) No more trying to tell us what to do. You dont run the club. Phil does. Is that understood? Vinny shakes him. BOB Yes, understood. Vinny picks him up and then walks away with the two men. Bob is on his knees crying. EXT. coma nightclub - nIGHT INT. coma night club - nIGHT Jaski gives Joey and the girls hits of ecstasy. They all eat their hits. Joey bombs (to jaski) How did you get those passes in here man? JaSKI I hit off one of the promoters to sneak them in. JOEY BOMBS Please dont tell me its DANNY MACE. JASKI Would you relax, dog. Ive got it under control. JOEY BOMBS Speak of the devil, here comes your boy, Danny Mace. Danny Mace walks over. Danny mace Whats up, Jaski? JaSKI Whats up, Mace? They hug. DANNY MACE 0002000006110000E30E60B,Whats up Joey? JoEY BOMBS Hows it going, Danny? DANNY MACE Good, good. How are things over at the Factory? I heard that opening night was pumping. JaSKI How does 5000 heads sound? DANNY MACE 5,000. Wow. This place is lucky if we do half that. JASKI What can I say? They got a great promoter running the show. DANNY MACE (laughs) You are the best man. Hey, lets take a walk. I got those passes in the coat room. JASKI Is it cool? DANNY MACE Yeah, its cool, dog. Youre with me. JASKI Lets go. INT. phils house - nIGHT Erica is lying in bed watching television with Jacob and Lauren. A beep to a cell phone is heard. Lauren Mommy, can I sleep in your bed tonight? Erica No honey. You can sleep in your own room. Youre a big girl now. Come on, you look tired. She picks up Lauren and carries her out of the bedroom. Jacob follows. LAURENs bedroom She gently lays Lauren on her bed and tucks her in. Lauren Good night, Mommy. ERICA Good night, sweetheart. She kisses her and turns on a night light. Jacobs room Jacob hops into bed. Erica tucks him in and kisses him good night. ERICA Good night, honey. Do you want the night light on? Jacob No, mommy. She walks towards the door. JacOB Mommy? ERICA Yes, honey. JACOB What if the monsters come and daddys not home to protect us? ERICA (laughs) There are no monsters coming. Just go to sleep. Mommy will be right inside. JACOB Mommy? ERICA What is it, Jacob? JACOB If the monsters come can you chase them away? ERICA Of course I can honey. Mommy has chased away plenty of monsters in her day. 0002000006350000E91962F,JACOB Good night, mommy. ERICA Good night, Jacob. Erica leaves and closes the door behind her. Bedroom Erica enters and takes her clothes off. She looks at herself in the mirror. An insecure look is expressed on her face. ERICA (to herself) What happened to me? She puts on a robe and sits on her bed. She puts her reading glasses on and starts reading a magazine. A beep to a cell phone is heard again. ERICA (to herSELF) What is that noise? She gets off the bed and starts looking around the bedroom to locate the noise. She finds a cell phone under the bed. Insert - cell phone It reads Three New Voice Messages. She contemplates. She looks at her reflection in the mirror. ERICA (to herself) Fuck it. She presses the message button. Computer OPERATOR (V.O.) Please enter your password, then press pound. ERICA (to herSELF) Shit. She enters 3,5,9,8 and pound. COMPUTER OPERATOR (V.O.) Im sorry but 3, 5, 9, 8 is not a recognized password. Please reenter your password and then press pound. She enters 1, 1, 2, 9, 2 and pound. CoMPUTER OPERATOR (V.O ) Im sorry but 1, 1, 2, 9, 2 is not a recognized password. Please try again later. ERICA (to HERSELf) Damn it. Password, password. Knowing Phil its got to be someones birthday. I know.... She jumps out of bed and races through the Hallway Down the Stairway Into the Living room Where Anna Catalano is watching television. ERICA Hi, mom. Ana Hi sweetie. Are the kids in bed yet? ERICA Yeah, the kids are in bed. Mom, I wanted to ask you a question. Im preparing a mass with Father Rodney and I need to know Franks birthday. 0002000006160000EF48610,ANA My Frank? ERICA Yes. ANA Its July 21st, 1929, and thats very nice of you Erica. Considering that you are Jewish and all. ERICA What can I say? Im around Catholic people all of the time. I think that Im even starting to believe in Jesus. ANA Well, there is nothing wrong with that. Anna does the sign of the cross. ERICA Thanks, mom. Ill be upstairs if you need me. ANA Good night, Erica. Erica races up the Stairway Through the Hallway Into the Bedroom And grabs the cell phone. She presses the message button. CoMPUTER OPERATOR (V.O.) Please enter your password, then press pound. She enters 7, 2, 1, 9, 2, 9 and pound. CoMPUTER OPERATOR (V.O.) You have three new voice messages. ERICA (tO HERSELF) Yes. COMPUTER OPERATOR (V.O.) First new voice message. FRANKiE (V.O.) Hey Phil, its Frankie. Stop by the club later on. I got to talk to you about something. COMPUTER OPERATOR (V.O.) Next message. BoB (v.O.) (crying) Phil its Bob, Im so sorry. I didnt mean to get you angry. Ill never interfere with your business again. Im sorry -. She presses nine. COMPUTER OPERATOR (V.O.) Message skipped. Next new voice message. JOSEPHINE (V.O.) Its me, Josephine. I just want to tell you that dinner was great and Ill be ready tonight at eleven. Love you, baby. Bye. Ericas face turns red and she begins to cry. ERICA (to heRSELF) You bastard. She looks at her reflection in the mirror and then throws the cell phone into it, breaking the glass. She starts trashing the bedroom. Living room Anna hears the commotion and looks up at the ceiling. 00020000062D0000F558627,ANA (to herself) She needs Jesus. INT. coat room in coma nightclub - NIGHT Danny Mace, Jaski and Joey Bombs walk in. DANNY MACE Just give me a minute. There in the closet. I have to get them. JASKI Hurry up, man. Danny Mace leaves the room. JOEY BOMBS Where the fuck is he going? Lets get out of here before we get nailed. Michael Romeo and two bouncers enter the room and close the door behind them. ROMEO Too late. Youre already nailed. JOEY BOMBS Ah shit. JASKI All right. You busted me. Now what? Romeo grabs him by the shirt and pushes him into the wall. ROMEO Now we kick the shit out of you. Romeo grabs Jaski by the neck. JASKI Get the fuck off me. You dont know who youre fucking with. ROMEO Oh yeah. Romeo punches him in the stomach and Jaski falls to the ground, short of breath. Jaski sees an open shot to Romeos groin and punches him. Romeo falls to his knees. ROMEO Ah, you little fuck. Jaski runs for the door, but one of the bouncers catches him. Both bouncers begin beating him. Romeo gets up and starts kicking him. JOEY BOMBS Thats enough man. Youre going to kill him. ROMEO Shut the fuck up or youll be next. The bouncers and Romeo continue to beat up Jaski. INT. viP ROOM AT FACTORY - MORNING Phil is lying on the couch kissing Josephine and another girl. Josephine begins to undress the other girl and starts kissing her stomach and works her way down. Phil does a bump of K. Bob enters. BOB Sorry if Im interrupting, but its very important that I get into the basement today. The girls stop fooling around. PHIL Please, dont stop for him. 00020000065B0000FB7F655,They start fooling around again. PHIL Bob, dont you see that Im about to watch two beautiful women fuck each other? BOB Im sorry but its important that I get .... PHIL It can wait. The girls begin to caress Phil. BOB If I dont get into the basement tonight then Jims family will not get their insurance money for a year. PHIL The basement is off limits so forget about it. BOB So you dont care if Jims children dont get his life insurance money? PHIL Quite frankly, no I dont. So beat it. Phil continues to fool around with the girls. BOB You know thats awfully selfish of you. PHIL Yea, its very selfish. BOB You know, Im beginning to get the feeling that youre hiding something down there. Phil jumps off the couch and grabs Bobs face making him look like a blowfish. PHIL (angrily) You want to see whats in the basement? Fine, lets go. Phil drags Bob through the VIP Room and through the Club Where some locals are still partying. BOB I dont think this is necessary Phil. PHIL Yes, is it is. Now come on. Lets go. He drags him through a crowd and down the Stairway Into the Lower level Where the basement door is. He punches an electronic button and opens the door revealing a long, dark stairway. PHIL (angrily) You want to go downstairs? BOB I think I changed my mind. PHIL (angrily) Good, because if you go down there, you're never coming back. Thats fucking hell down there, pal. BOB And youre the devil. PHIL Oh, you want to be a wise ass. Well then Ill tell you what. EXT. main entrance of factory - MORNING Bob comes flying out of the door onto the sidewalk. Phil walks over towards him. 000200000568000101D4562,Across the street Agent Grizzo and Agent Lutz notice the commotion. GRIZZO Look at this. In front of building Phil pulls out a roll of money and throws it at Bob. The roll of money hits Bob in the head and scatters all over the sidewalk. PHIL And heres your ten percent. Phil begins to walk back inside but stops and thinks for a moment. Then he walks back out towards Bob and picks up some of the money. PHIL Make it five percent. Phil goes back inside the club. Bob sits on the sidewalk, crying. Across the street Agents Lutz and Grizzo are intrigued by what just happened. GRIZZO Id bet every dollar I have that thats Bob Barton. Lutz looks at a surveillance photo. Insert - SURVEILLANCE photo of bob barton Back to scene LUTZ Well then you would be a winner. GRIZZO I think we finally found our man. INT. new york university hospital - DAY Jaski is lying unconscious in a hospital bed. He is bandaged and bruised. A monitor beeps. Anna Catalano is sitting next to him, praying with her rosary beads. Phil enters. PHIL Momma. Phil walks over to Ana. She stands up and slaps him in the face. ANnA You promised me that you would not let this happen. PHIL Momma, its not my fault. ANnA Then whos fault is it? Mine? PHIL All he was doing was handing out flyers. ANnA Handing out flyers. They do this to him because he was handing out flyers. (In Italian) Thats bullshit. 00020000079F00010736799,PHIL Momma I swear, hes just a club promoter. Thats all. Please momma, you have to believe me. Anna sits back down. ANA The doctors say he should be okay. They beat the hell out of him. My poor boy. She touches Jaskis face. Phil hugs her. PHIL Im so sorry, momma. ANA Here, this is from Erica. She hands him a note. Phil reads it, then he becomes upset and crumples it up and throws it away. PHIL Fucking cunt. ANA She is going crazy, that wife of yours. Last night she told me that she wants to find Jesus. A knock on the door. Junior and Cabacone enter. Joey Bombs follows behind. Phil runs over to Joey grabs him and pushes him against the wall. PHIL Who did this to him? JOEY BOMBS I dont know. He slams him against the wall. PHIL Dont tell me that you dont know. You were with him. JUNIOR Take it easy, Phil. Phil pulls out his gun and sticks it in Joeys mouth. PHIL Youre going to tell me right now who did this, or Im going to splatter your brains all over this wall right in front of my mother. ANA (V.O.) No, Phil, no. JOEY BOMBS It was Michael Romeo. JUNIOR (to joey bombs) You dont know that. Phil lets go of Joey and walks out of the room. Hospital hallway Phil is pounding on the wall. Two security guards are standing at the end of the hallway watching him. Cabacone and Junior approach Phil. JUNIOR Well find out who did this, Phil. PHIL How could you come here and insult me like this? JUNIOR I didnt come here to insult you, Phil. I came here to see how your brother was doing. Phil gets in Juniors face. PHIL You know damn well who did this. JUNIOR It could have been some punks. PHIL Are you fucking serious, Junior? JUNIOR Look, Im just trying to look out for you. PHIL Oh, youre looking out for me now. JUNIOR Yeah, thats right because if you retaliate, my father will have your head. We made a promise to the Gambinos that there would be no retaliation. The matter will be dealt with... diplomatically. 00020000013100010ECF12B,PHIL What are you telling me? That I cant even protect my own family? JUNIOR If you wanted to protect Jaski, then you would have never let him step foot in Coma. Im giving you a direct order... dont fuck with Michael Romeo or his club. Phil stares deeply into Juniors eyes and then walks away. 00020000061A00010FFA614,INT. ericas mothers car - DAY Its a beautiful day in Florida. Erica is sitting in the front seat. Her mother MARNIE is driving. Jacob and Lorene are sitting in the back seat and begin bickering over a toy. LORENE Give it to me. Its mine. JACOB No, its mine. Daddy gave it to me. ERICA Knock it off, or it will be mine. Erica stares out the window through her sunglasses as the palm trees sway in the golden sun. INT. pHILS OFFICE - DAY A stressed-out Phil is sitting in his chair, he lights a cigarette using the one he just finished. Then he does a line of coke. Vinny gets up and walks over to Phils desk. He slides the mirror of coke away from Phil. VINNY Take it easy with this stuff. Youre going to kill yourself. PHIL Does it really fucking matter at this point? VINNY Look, we will get these fucks somehow, some way. Lets just let things cool down between you and Junior. PHIL Im not one to break an order Vinny but this is bullshit. My brother is no wiseguy and that rat Romeo knows it. VINNY So what are you going to do? Start a war? Phil looks at Vinny and doesnt respond. Vinny walks over toward the liquor cabinet. He opens the cabinet and pulls out a bottle of Scotch. He pours two glasses and brings one over to Phil. VINNY Here, you need it. Salute, to your brother getting better. PHIL Salute. They clink glasses. A knock on the door is heard. PHIL Come in. Paris enters. PHIL What? Paris Athena has been arrested. She wants to know if you can bail her out. PHIL She is a he. PARIS Im sorry? PHIL Athena is a guy, not a girl. 00020000063E0001160E638,PARIS Okay, well he wants to know if you can bail him out. PHIL No... wait, what was he arrested for? PARIS Assault. He beat up his boyfriend. PHIL How much is the bail? PARIS $10,000 dollars. Phil looks at Vinny. PHIL What do you think I should do? VINNY For $10,000. Forget about it. Leave that fucking freak show in jail to rot. You just bailed him out last month. PHIL Hes really crazy about this transvestite bitch, huh? VINNY Yeah, he is. His name is Rico. You got to see this one. Looks like a super model. You would never know its not a broad. He works at Coma. PHIL He works at Coma? VINNY Yeah, last I heard. Phil stops and thinks for a moment. He gets up and walks over to the picture on the wall. He removes the picture and opens the safe. He pulls a stack of money out and then throws it at Paris. Paris catches the money. PHIL Theres ten grand there. Go bail him out and have him report directly to me and dont get lost with my money. Paris leaves. Phil is deep in thought. EXT. sidewalk - DAY Bob and his friend ALLEN are walking. BOB Do you have a cigarette? Allen I thought you quit? BOB You try quitting when the mob is on your ass. Bob and Allen stop walking. Allen gives Bob a cigarette and lights it. ALLEN I hate to see you like this. Your going to wind up having a nervous breakdown. Bob tell, me, how can I help you? BOB How can you help me? ALLEN I could call one of my connections. BOB What connections? ALLEN I can call Mario Randazzo. He owns that Italian deli on Second Avenue. BOB Mario is not in the Mafia. ALLEN How about Ritchie Santaramo from the Bronx? 0002000006B100011C466AB,BOB Allen, Ritchie Santaramo is a custodian. Look, I do appreciate your concern but I dont think that you understand who these people are. A look of sadness is shared and then they hug each other. LUTZ (OS) Bob Barton? Bob and Allen let go of each other and turn around to face Agent Lutz and Agent Grizzo. BOB Yes. LUTZ My name is Special Agent Lutz, and this is Special Agent Grizzo. Lutz and Grizzo flash their badges. LUTZ We would like to ask you a few questions. Can you come with us please? A car door opens. BOB Am I in trouble or something? GRIZZO No sir, we just want to ask you a few questions. Can you step into the car please? Bob gets into the car. Grizzo and Lutz follow him in. Allen runs up to the open car window. ALLEN Do you want me to call my lawyer? BOB No, Ill call you later. The car drives away. Allen reaches for his cell phone and dials a number. ALLEN Hello, Mario. Hi, this is Allen Herscouin. I normally come into the deli on Thursdays. Intercut - telephone conversation - sidewalk/marios deli MariO (italian accent) Yes, what can I do for you? ALLEN Im sorry to bother you, Mario, I just need to ask you a favor. MARIO (italian accent) What kind of favor? ALLEN (laughs) Im sorry, not a favor, just a question. MARIO (italian accent) What is it? ALLEN I dont know how to put this Mario... are you in the Mafia? Mario hangs up. ALLEN Hello, Mario. Are you there? EXT. apartment building - nIGHT Vinny and an associate named ALFREDO ring a doorbell. Rico (V.O.) Who is it? VINNY We're here to pick up Athenas things. RICO (V.O.) You tell that crazy bitch to get the hell out of here before I call the police. VINNY She is not out here. Were here to pick up her stuff. 000200000732000122F172C,RICO (V.O.) Are you sure shes not out there? VINNY Yeah, Im sure. Now either you let us in, or we are leaving and she can come back and get her own stuff. The door opens. INT. living room of ricos apartment - nIGHT A knock on the door. A tall, pretty transvestite named Rico walks to the door and opens it. Vinny and Alfredo enter. Alfredo gives Rico a seductive look. Rico is flattered and returns the look. RICO I already packed his shit. Its in the bedroom. VINNY Ill go and get it. Vinny walks into the bedroom and Rico and Alfredo glare at each other. RICO So. In the bedroom Vinny rumbles through the drawers and finds some cash and drugs. He puts it in his pockets. Living room Alfredo and Rico are becoming affectionate with each other. Alfredo (italian accent) Man, what a body on you. Rico rubs Alfredos groin area. AlfrEDO (italian accent) You want some of that? The sound of a gun shot from a silencer. Rico is shot in the head by Vinny from behind. She drops to the floor in a pool of blood. ALFREDO (italian accent) Hey man, what are you doing? VINNY Im doing my job. Thats what Im doing. ALFREDO (italian accent) Couldnt you have at least waited? She was just about to blow me. VINNY (laughs) Youre fucking kidding me, right? ALFREDO (italian accent) No Im not kidding you. She was just about to blow me. VINNY Youre telling me that you would take a blow job from this thing? ALFREDO (italian accent) Yeah, why not? She looks good to me. Vinny and Alfredo both look at Rico. VINNY Thats a guy, you fucking idiot. ALFREDO (italian accent) Thats no fucking guy, Vinny. Dont play games with me. VINNY (laughs) Here, if you dont believe me. Take a look for your self. Vinny pulls down Ricos pants and reveals her genitals. ALFREDO (italian accent) Momma mia. What the fuck is that? VINNY The magic sausage. 000200000C9000012A1DC8A,ALFREDO (italian accent) Thats fucking disgusting. I cant believe thats a guy, man. VINNY Whats a matter? They dont have transvestites in Italy? ALFREDO (italian accent) Ive never seen anything like that before, man. INT. dea HEADQUARTERS - DAY Bob sits at a table with Agent Lutz and Agent Grizzo. BOB Maybe I should call my lawyer. GRIZZO Is this your partner? Insert - photo of phil catalano BOB Yes. Insert - photo of vinny torrello LUTZ What about him? BOB Thats Vinny. LUTZ So you know him? BOB Of course I know him. He almost threw me off a high-rise building for christs sakes. LUTZ Hey, Bob, if you dont mind me asking? What is a real nice fellow like yourself doing with these guys? BOB Money... I owed a lot of money. LUTZ To who? BOB Charlie Mena. Insert - paper Charlie Mena is written. GRIZZO So let me get this straight. You owed money to this guy Mena and then Phil and Vinny came into the picture to protect you from him. BOB Yeah, sort of. He had this plan to turn my club into an after-hours place so he could make money selling water. GRIZZO (laughs) Thats what he told you? The two agents look at each other and laugh together. BOB Whats so funny about? The agents stop laughing and become serious. LUTZ Your friend, the one who overdosed, did he get in Catalanos way at all. BOB Not that Im aware of. But Phil never liked him... Wait do you think that he killed Jimmy? LUTZ Do I think he killed him? Yes. Can I prove that he killed him? No. BOB (Crying) That bastard. He left behind three beautiful children. LUTZ Bob, we need your help to put this guy behind bars. BOB Tell me what do you want me to do? INT. pHILS OFFICE - DAY Phil is smoking a joint with three bouncers. Athena enters. PHIL Athena, how nice to see you again. Do you want a hit? Phil goes to pass Athena the joint. AtHENA No, thank you. I dont smoke pot. BOUNCER Well, maybe you should start. They all laugh. PHIL We are only kidding. Give me a few minutes guys. Ive got to talk to Athena. The bouncers walk by Athena protecting their groin area. AtHENA Real funny, guys. They walk out of the room laughing. ATHENA Thanks for bailing me out again Phil. Ill make it up to you, even if it means I have to do shows for the next six months. PHIL You do owe me, Athena, but thats not why I asked you to come here today. A look of sadness appears on Phils face. ATHENA Whats wrong? PHIL I got some bad news, Athena, and I hate to be the one to break this to you. ATHENA What is it? PHIL They just found your boyfriend, Rico, shot to death in his apartment. ATHENA What? PHIL Rico is dead. Someone killed him. ATHENA Wait a minute here. Are you trying to tell me that someone killed my Rico? PHIL Im sorry. Athena begins to panic. ATHENA Are you kidding me Phil? Because if you are, this is a bad practical joke. PHIL I wouldnt joke about something like this. ATHENA (hysterical) Oh my God. What am I going to do? I cant live without him, Phil. Her panic begins to turn into rage. PHIL Im really sorry. ATHENA (hysterical) I want to know, who would do something like this? Why would anyone want to kill him? PHIL Athena, I know that youre upset but I need to know if I can trust you with something? 000200000310000136A730A,ATHENA (crying) Of course, you can. PHIL Im going to tell you something, but you have to promise that you never heard it from my mouth. ATHENA (crying) I might be a fucked-up person, Phil, but you have always been good to me, and I would never betray you. PHIL I know who killed Rico. ATHENA (crying) Tell me who did it. PHIL Rico was fucking his boss, Michael Romeo. Romeo was afraid that he would go public about their affair, so he had him whacked. ATHENA (crying) How do you know this is true? PHIL Its true. Athena wipes the tears off his face. He looks at Phil with an evil look in his eye. INT. dea HEADQUARTERS - DAY Bob is sitting at a table. Agent Grizzo is sitting across from him. Agent Lutz enters the room with a cup of coffee and gives it to Bob. BOB Thanks. 000200000746000139B1740,GRIZZO Have you ever seen any unusual shipments come in? BOB No, not that Im aware of. LUTZ So as far as you know he runs a clean operation? BOB I guess so. GRIZZO So you dont see anything shady going on in the place? Bob stops and thinks for a moment. BOB Wait, yes I do... the basement. LUTZ The basement? What about it? BOB The other day he went crazy on me because I needed to go down there to get some insurance papers for Jimmys family. LUTZ When is the last time you went down there? BOB I havent been down there since he took over the place. He has got this sophisticated security lock on the door, and only Vinny and Ronnie know the code. LUTZ Listen to me, Bob, and this is very important. Have you ever seen anyone else besides Vinny, Ronnie or Phil go into that basement? BOB Wait a minute... I do remember something. Flashback - lower level OF FACTORY - day Bob is supervising the clean up of the club. BOB (V.O.) It was a Sunday afternoon, and I was supervising the lower level of the club when all of a sudden... The basement door opens and Vinny comes walking out with two men who are wearing laboratory coats. BOB (V.O.) Vinny comes out of the basement with two guys that look like they should be working for NASA or something. VINNY Hey Bob, get this place cleaned up already. Back to scene GRIZZO And then what happened? BOB They left and I finished cleaning. LUTZ John, can I speak to you outside for a minute? Agent Lutz and Agent Grizzo exit the room. Bob fiddles for a moment and then tries to light a cigarette but the lighter is not working. BOB Just my fucking luck. Lutz and Grizzo re-enter. Hallway LUTZ I figured it out, John. All this time we have thinking that Catalano is importing the stuff from overseas or buying it on the street. GRIZZO What are you saying, Kevin? LUTZ He is making it. Right in his own basement. 000200000643000140F163D,GRIZZO You think so? LUTZ That explains why we can never catch him or any of his crew on the street with it. Think about it. It makes perfect sense. The basement, the guys from NASA. Those guys are chemists. GRIZZO If thats the case, then we can walk right in there with the owner and bust the joint right open. LUTZ Exactly. Chief cunninghams office CHIEF Are you two out of your minds? Five years of hard work, and you want to take a chance of walking in the place with your only live informant? LUTZ Chief, Im telling you, Catalano is making his own stuff. CHIEF And what if youre wrong, Kevin? Then the whole operation is out the door? No way. GRIZZO We are running out of ideas here, Chief. CHIEF You want an idea? This guy Barton owns the place right? GRIZZO Yes. CHIEF Well, then, have him go down to the basement and bug it. LUTZ Catalano wont let him down there. CHIEF He wont let him into his own basement. Come on, Kevin. GRIZZO Hes right, Chief. We watched the guy get thrown face-first onto the sidewalk, just for asking. CHIEF Then we will wait. I dont want to lose this guy Barton. He is the closest thing that weve have to Catalano in the five years that we been on this case. Have him bug the areas that he does have access to and tell him to keep his eyes and ears open. Interrogation room Bob is sitting at the table. Agents Lutz and Grizzo walk in, sit down and place a gadget on the table. LUTZ This little gadget here will record all video and audio activity. We need you to discretely hide it in an area where you think Phil and his associates will be talking. 0002000005820001472E57C,GRIZZO Preferably, the basement. BOB The basement? There is no way in hell that Im going anywhere near that basement. LUTZ You have got to at least try. There is a lot at stake here. BOB Yeah, including my life. GRIZZO Bob, if we dont bring this guy down, eventually hes going to kill you just like he did your friend Jimmy. If you value your life, your odds are much better working with us. Bob picks up the of the gadget and studies it. Insert - gadget INT. pHILS OFFICE - DAY Phil is sitting at his desk on the telephone. PHIL Can you please put her on the phone, mom? You are too my mother-in-law. Im not a cheat, all I did was take her on a business dinner. Yes, she is only nineteen. Well, then, Ill tell you what, get on a plane, fly up to New York and ask her yourself... yes, she does speak English. A knock on the door. PHIL Come in. Bob peaks his head in the door. BOB Is it a bad time, Phil? Phil puts the phone on mute. PHIL Did you come here to break my balls? BOB No. PHIL Well then come in and close the door behind you. Bob enters slowly and closes the door. PHIL I understand, mom, but when you want to drive a $75,000 truck and live in a million-dollar house on the water, then you have to understand, Ive got to do what Ive got to do. Can you just put me on the phone with her for one minute, please?. Fine, then tell her not to come back looking for money. The bank closed. 0002000005F800014CAA5F2,Phil hangs up. BOB Are you sure its a good time? I can come back later. PHIL Bob, my brother is in the hospital in critical condition, my wife just left me and took my kids and a pretty mean wised guy wants me dead. So I dont know, you tell me, is it a good time? BOB Then I guess Ill talk to you later. Bob begins to walk out. PHIL Sit down Bob. Bob sits down. PHIL Now, what is it that you want? BOB I was able to convince the insurance company to hold off for a couple of days for that paper work. PHIL Was it in the filing cabinet? BOB I believe so. PHIL I think we threw it out. BOB Ronnie told me that he hasnt had a chance to throw it out yet, and if I needed it that badly, he would go down there and get it for me. Phil reaches for his two-way radio. PHIL Ronnie. Ronnie (V.O.) Yea boss. PHIL Can you come up to my office please? RONNIE (V.O.) Ill be right up boss. Phil walks over to the liquor cabinet and pours a drink. PHIL Do you want a drink? BOB Ill take a Dewars on the rocks, please. Phil makes the drinks, then walks over to Bob and gives him his cocktail. He goes back to his desk and pulls out a piece of paper and a pen. He writes something down on the paper. PHIL Here, take this. He hands the paper to Bob. BOB Whats this? PHIL Its the code for the basement. Go get what you need. BOB Are you sure? Ronnie can get it for me if you feel more comfortable. PHIL Ive got nothing to hide, Bob. Go and get what you need. BOB Thanks Phil, I really appreciate you letting me into my own basement. 00020000062B0001529C625,Phil gives Bob a dirty look. BOB I didnt mean it like that. Im just glad that we can trust each other. PHIL Just this one time though, okay? BOB No problem. PHIL Oh, and here. This is for you. Phil goes in his drawer and pulls out a roll of money and throws it to him. Bob catches it. BOB Whats this for? PHIL Its the extra five percent that I owe you. Dont spend it all in one place. BOB Thanks again Phil. PHIL Youre welcome. Ronnie enters. Bob leaves. RONNIE Whats up? Is he giving you more trouble? PHIL He is the least of my problems now Ronnie. I gave him the code for the basement. Make sure you change it before the weekend. RONNIE Ill take care of it Thursday. PHIL I figure if we let him go down there and he sees nothing it will satisfy his curiosity. RONNIE Good idea. Phil drinks his cocktail. INT. office at night club coma - DAY Michael Romeo is smoking a cigar. He is in the company of Danny Mace and Mike Franco. The phone beeps. Romeo picks it up. ROMEO Yeah, hello... let him in. Athena enters. ROMEO Athena, its good to see you again. Athena and Romeo shake hands. ROMEO This is my head promoter, Danny Mace. Athena and Danny shake hands. ROMEO And this is my general manager, Anthony Franco. Athena and Anthony Franco shake hands. ROMEO So I understand that youre looking for work. ATHENA Yes, I am. DANNY MACE (to athena) I thought that you were over at the Factory. ATHENA I was. Anthony franco What happened? ATHENA I had a fight with the boss. Anthony FRANCO Hes a real asshole from what I hear. ROMEO What was the fight about? ATHENA 00020000063F000158C1639,Money. ROMEO How much was he paying you? ATHENA $250 a night. DANNY MACE $250 a night? Hes robbing you. Anthony FRANCO For a well known transvestite like yourself? You should be getting at least five hundred. ATHENA I agree. ROMEO Well Athena, it just so happens that you walked in at the right time. Unfortunately we lost one of our best transvestites the other day. ATHENA Oh yeah? How did that happen? ROMEO He was murdered. Anthony FRANCO Someone broke into his apartment and shot him in the back of the head. Mike Franco uses his hand to mimic a gun. Athena begins to boil up but keeps his cool. DANNY MACE (to athena) Didnt you know him? ATHENA What was his name? DANNY MACE Rico... you know I could have sworn that I had seen you two together before. ATHENA I think that I heard of him but I didnt know him. Anthony FRANCO Getting back to business, Athena, we could really use a good transvestite, and we are willing to offer you $500 a night. DANNY MACE Now I remember... last New Years you two did a show together at Palace. ATHENA Did he have blonde hair? DANNY MACE Yeah. ATHENA Now I remember him. Someone killed him? DANNY MACE It was all over the news. I cant believe that you didnt hear about it. ATHENA Ive been away for a while. Why do you think they killed him, Mike? RoMEO I dont know. Maybe drugs, money, a quarrel with a lover. Its a cruel city. What can you do? ATHENA You can kill the mother fucker who killed him. Athena pulls out a gun and fires three shots into Michael Romeo. His blood splatters all over the walls and onto Danny Mace and Anthony Franco. 0002000008A400015EFA89E,Anthony franco Holy fucking shit. Anthony reaches for his gun. Athena shoots him in the head and kills him instantly. A shivering Danny Mace crawls into a ball in the corner. DANNY MACE Please, dont shoot. Athena points the gun at him. DANNY MACE Please dont. Danny Mace covers his face with his hands. A moment passes and he looks up to see that Athena is gone. The dead bodies of Michael Romeo and Anthony Franco lie there. INT. gENNERROS RESTAURANT - DAY Angelo Pallazollo and two associates enter with serious looks on there faces. Junior is talking to a customer when he sees them. JUNIOR Excuse me. Junior approaches them and is first to greet Angelo who pulls him close and whispers something in his ear. A concerned look is expressed over juniors face. Back of RESTAURANT Frankie, Senior and a black-eyed Cabacone are in the middle of a card game. Two bodyguards stand in the back. CABACONE I only need one card. Senior passes a card to Cabacone. FRANKiE Three cards, boss. Senior passes three cards to Frankie G. Junior appears and whispers something in his fathers ear. SENIOR Youre kidding? JUNIOR No. SENIOR LORENZO. (in Italian) Mother fucker. Senior throws the cards across the table. EXT. penn station - day Athena rushes through a crowd of people while some of them are looking at him curiously. One person notices him from the news report. Person one Hey, thats the transvestite I saw on the news. Person two We should get a cop. Athena continues walking into a Coffee shop Then cuts the line. Person on line Excuse me, you just cut the whole line. ATHENA (yelling) Shut the fuck up. I dont hear anyone else complaining. Two people on the line become frightened and walk away. The two Indian cashiers behind the counter become annoyed. CashIER You, get out of here. You scared my customers away, you freak. ATHENA Who are you calling a freak, Aknod? These people need a little patience. Im in a rush here, and I need a cup of coffee. CASHIER You want coffee, then go somewhere else and get it. Now get out of here before I call the police. ATHENA (angrily) No, youre going to get my coffee or Im going to kick your ass back to the Middle East where it belongs. Now hurry up. 0002000006420001679863C,CASHIER Thats it. Im calling the police. The cashier picks up the phone. ATHENA You hang up that phone, Aknod. The cashier dials 911. Athena hops over the counter and rips the phone out of the cashiers hand. ATHENA Give me that. Athena rips the phone off the wall and throws it on the floor. The cashiers back away from him. ATHENA Ill pour my own fucking coffee. Athena grabs the pot of coffee and a cup. She begins to pour it. One of the cashiers pulls out a knife and points it in Athenas direction. Cashier (yelling) Now get out of here. Athena throws the hot coffee into his face. Cashier (screaming) Ahhh. Athena kicks him in the groin. The cashier falls to the floor in agonizing pain. The other cashier grabs the knife off the floor and slashes at Athena but misses. Other cashier Get away from him. ATHENA You terrorists think you own the whole fucking world, dont you? OTHER CASHIER Im not a terrorist. I am from India. You are the terrorist. Im going to have you arrested. I have you on camera, you see. A camera is located above the counter. Other cashier Look at what you have done to my brother. I have to take him to the hospital. The cashier on the floor looks up and reveals a blistered face. Athena pulls out a gun and shoots the blistered cashier in the chest twice, killing him. ATHENA There, now you dont have to take him to the fucking hospital. Athena looks up at the camera and shoots it. AtHENA And fuck your camera too. Athena points the gun at the other cashier and pulls the trigger but is out of bullets. The sound of police sirens is heard in the distance. 000200000B2800016DD4B22,ATHENA Looks like its your lucky day, Aknod. Athena hops over the counter and runs out of the store. A moment later a police officer arrives with his gun drawn. He sees the dead cashier and his brother lying over his body. OTHER CASHIER (crying) Please, get help. The officer reaches for his two way radio. PolICE OFFICER We need immediate medical assistance at Patels Coffee Shop in Penn Station. Requesting back up. Can you tell me who did this? OTHER CASHIER (crying) It was a man, dressed up like a woman. INT. gENNERROS RESTARUANT - DAY Frankie, Senior , Junior and Cabacone are sitting at a table. JUNIOR What do you want to do about this pop? SENIOR This is all a bunch of bullshit. CABACONE They have a legitimate beef. Phil whacked out two made guys. One was a captains nephew. SENIOR Listen kid, when you been around as long as I have you will understand that its all about money. JUNIOR Pop, put yourself in there shoes if two of us got hit, you would want retribution. SENIOR Its an excuse. For those cock-sucking Gambinos and they other familys to stick there hands in our pockets. FRANKIE So why dont we offer them a piece of Phils club. So he doesn't have to go. JUNIOR Come on Frankie, he has got to go. The guy disobeyed a direct order from the boss of this family. CABACONE He also put his hands on a made guy with a higher rank. SENIOR Frankie, you and I go back along way. Phils father Frank and I go back a long way. But rules are rules and thats that. I got to go, my ulcer is acting up. Senior gets up. The body guards help him. SENIOR Make sure we get to him first. Its our problem now. Senior leaves . JUNIOR Frankie, since your so close to him, we are going to need your help. FRANKIE You want me to do it? JUNIOR No, we just want you to set it up. He trust you. Invite him to the club. Tell him that you are going to help him work out this problem. Lorenzo and I will the honors. FRANKIE Its a damn shame. The kids a great earner. But Im all about the rules. INT. subway - DAY Athena hops over the gate and runs toward the tracks. A cop turns the corner and draws his gun at him. Cop Freeze, dont move. Athena pulls out her gun and starts running the other way. Two more cops appear in front of him and draw their guns. Other cop (yelling) Drop your weapon now. A train is approaching at full speed. The cops carefully move in closer. Other cop (yelling) I said drop your weapon. Athena drops the gun. The cops move in closer. OTHER COP Get on your knees and put your hands up. The train is about to pass. OTHER COP (yelling) I said on your knees. Athena jumps in front of the fast-moving train. INT. dEA HEADQUARTERS - DAY Agent Lutz is doing paperwork, and Agent Grizzo is on the computer. The phone rings. Agent Lutz picks it up. LUTZ Hello. Intercut - telephone conversation with bob and agent lutz 0002000008AB000178F68A5,BOB Hi, this is Bob Barton. I got into the basement and planted one of the devices. LUTZ You did? Excellent work. Hold on one second Bob. Agent Lutz looks over to Agent Grizzo. LUTZ I got Bob Barton on the phone. He was able to get into the basement and plant the bug. GrIZZO Ill check the monitor. Grizzo clicks into the web page that is set up for surveillance. Insert - computer An empty basement is revealed. Back to scene GRIZZO I dont see anything. INT. FRANKiEs gentlemens club- nIGHT Phil enters the club. Music is playing and two girls are topless on stage. Nikki the bartender is working. Anthony greets Phil. ANTHONY Phil, how are you doing, buddy? PHIL Good. Is Frankie around? ANTHONY Hes in his office. Go right down, he is expecting you. INT. FRANKiEs office - nIGHT Frankie is sitting at his desk, smoking a cigar behind a cloud of smoke. An empty bottle of liquor sits next to him and a loud porn video is playing on the television set. Phil enters the room slowly. He discretely puts his hand on his gun that is hidden by his sports jacket. PHIL Frankie, is that you? No answer. Phil cocks his gun and slowly moves closer. PHIL Hey, Frankie. FRANKiE Take a seat, Phil. Phil gets a clearer view of Frankie. He notices the empty bottle of liquor. PHIL Did you drink that whole bottle yourself, Frankie? FRANKiE And if I did, whats it to you? Phil sits across from Frankie, who is now completely visible. PHIL You wanted to talk me? FRANKiE You have always been like a son to me Phil. I want you to know that. Phil subtly scopes out the office. PHIL Is that the liquor talking, Frankie? FRANKiE No, I mean it, and its not the liquor talking either, asshole. Frankie points his thick finger at Phil. FRANKiE I mean that. PHIL Thats great Frankie. I love you too. But is that really why you called me down here on my busiest night of the week? To tell me that you love me? Frankie turns the television off, then gets up and goes to the liquor cabinet where he pours two drinks and serves one to Phil. Then he sits back down at his desk. FRANKiE How about a toast? PHIL A toast, for what? FRANKiE Whats a matter with you? Why do you look so tense? Frankie points his finger at Phil again. 0002000006800001819B67A,FRANKiE Its all those fucking drugs you do. PHIL No, Frankie, its not the drugs. I have yet to start on my drug binge tonight. Do you really want to know why Im so tense? FRANKiE Talk to me. Phil grips his gun tight and puts his finger on the trigger. PHIL I came in here with the feeling in my stomach that I wasnt going to leave, and I got to be honest with you Frankie, I still got that feeling. Is that how it works Uncle Frankie? You whack out your best friends son? Slowly Phil begins to pull his gun out of his jacket. It is still not yet revealed to Frankie. PHIL Some business where in huh Frankie? One minute youre telling me that Im like a son to you, the next youre chopping me up into little pieces and burying me somewhere. They lock eyes. Phils gun is in his hand but still not visible to Frankie. FRANKiE The Gennerros want you dead. PHIL Is that right? FRANKiE I want you to walk over to my closet door and open it. Phil turns around and looks at the Closet FRANKiE Go ahead. Walk over to the closet and open the door. PHIL Okay, fine. Phil gets up and walks slowly to the closet PHIL Whats behind the door, Frankie? FRANKiE (laughs) Open it up and see for yourself. Phil hesitates. FRANKiE Just open the door. Phil cocks his gun and points it at Frankie. PHIL You fucking open the door. INT. limo - NIGHT Senior makes himself comfortable. The driver pulls away fast and blows a red light. Senior notices but doesnt say anything. The driver makes a sharp right turn that knocks Senior across his seat. SENIOR (angrily) Mario, what the hell are you doing? Youre making me sick back here. The window to the driver opens a crack. 00020000063900018815633,Driver (deep voice) Sorry, boss. SENIOR God damn limo drivers. The driver then presses the gas and knocks Senior back in his seat. He drives faster and faster. SENIOR (angrily) Son of a bitch. Ill ring his neck. Italian music is blasted on the radio. The driver continues to go faster and faster. Senior makes it to the window and tries to open it, but its locked. Senior bangs on the window. SENIOR Open the window, you son of a bitch. The driver makes a sharp left turn and sends Senior flying across the limo. Senior picks himself up and grabs his cane. He makes it to the window and starts banging it with the cane. SENIOR (TO HIMSELF) Thats it. Im going to kill this mother fucker. The limo stops. SENIOR You better open this fucking window, Mario. Senior hits the window with the cane, cracks the glass and then holds onto it, getting ready to use it as a weapon. The window opens and Carmine appears. SENIOR Carmine. Carmine puts the gun in Seniors mouth and pulls the trigger, splattering his brains all over the limo. EXT. ALLEY - NIGHT Carmine gets out of the limo and walks away. The door to the limo is open and beeping. INT. FRANKiES OFFICE - nIGHT Phil has the gun pointed to Frankies head. PHIL Get up and open the door. FRANKiE Im too fucking drunk to get up. You open it. Frankie takes a swig of liquor and then passes out on his desk. PHIL Frankie. Frankie. Get up. Fuck. Phil takes a deep breath and slowly opens the door with the gun pointed at it. Two bodies wrapped in plastic fall out. PHIL Ah. He shoots the dead bodies. Blood pours out of the plastic. 000200000DB000018E48DAA,PHIL What the fuck? INT. gENTLEMANS CLUB - sAME A dancer hears the shots and stops dancing. INT. fRANKIES OFFICE - sAME FRANKIE (Drunk) There already dead. Phil looks in the plastic. PHIL Thats Cabacone. FRANKIE (Drunk) And Junior too. Phil looks at Frankie who is face first in the desk. PHIL You saved my ass, didnt you? FRANKiE (Drunk) Sure did. EXT. gENTLEMANS CLUB - nIGHT Phil is walking on the sidewalk. A town car pulls up. The back window rolls down. Angello Pallazollo looks out the window. ANGELO Phil. He waves him over. Phil sees him but ignores him. ANGELO Phil come here, I need to talk to you. Phil starts away walking quicker. Angelo gets out of the car and chases after him. Phil turns around exposing a pointed gun. ANGELO Phil, its me Angelo. Take it easy. I come hear to talk to you. Phil looks around cautiously. ANGELO Would you relax. If I wanted to bump you off do you think that this how I would do it. Come on Phil, I know that youre smarter than that. PHIL Start talking. ANGELO Lets walk and talk. Come on. They start walking. AngELO There been a change in management. Youre Uncle Frankie is taking over as acting boss. PHIL How is that possible? ANGELO He got the okay from the commission. Quite frankly there are many people that wish it would have happened along time ago. PHIL What about me beef with Romeo? ANGELO Under careful consideration about what happened to your brother, the powers to be are offering you a pass my friend. PHIL A pass? ANGELO A pass, that is off course with some tax. Angelo smiles. Phil smiles. They Hug. PHIL Lets go celebrate. Ill close the VIP room for the boys. ANGELO I cant. I got too much to do. PHIL Come on. Its an occasion. Just for a little while. ANGELO Alright Ill see you down there in an hour. Where is your uncle? PHIL In his office. Go drag him out with you. ANGELO Ill do that. Angelo winks at Phil and walks away. INT. dEA HEADQUARTERS - nIGHT Agent Lutz, Agent Grizzo and Bob Barton are sitting together. Agent Lutz pulls out a small device. LUTZ We want you to plant this bug in Phils office. BOB You want me to bug his office? LUTZ Yeah. BOB With all due respect, Agent Lutz, are you fucking crazy? Thats suicide. LUTZ We need you to at least try, Bob. BOB He has got 24 hour security guarding his door. Im never, ever in there alone. I think youre asking too much from me. I cant do this no more. Bob gets up to leave. Bob sees something on the computer. LUTZ We dont want you to put your life ... BOB Wait a minute. Bob walks closer to the computer. LUTZ What is it, Bob? BOB I think you should look at this. Agents Lutz and Grizzo look at the computer. Agent Lutz right-clicks and enlarges something. GRIZZO Holy shit. INT. vip ROOM AT FACTORY - nIGHT The room is filled with girls wise guys from both families. Everyone is celebrating and enjoying the night. At the bar Frankie still a little drunks hugs Angelo. Bathroom Phil, Josephine and Nikki stroll in laughing. They walk into a stall. In the stall Phil takes out a vile filled with K and pours a bump on Josephines hand and she snorts it. He pours a bump on Nikkis hand and she snorts it. He pours two bumps on his own hand and snorts them both. Josephine rubs her body against Phils. PhIL Here, take another. He puts another bump on his hand and Josephine snorts it. Phil begins to kiss Josephines neck. He grabs Nikki and starts kissing her too. All three of them begin kissing each other. The stall opens and its Anthony. 00020000064D00019BF2647,ANTHONY Hey, what am I? Chopped liver here? Phil puts the vile in Josephines hand. PHIL Here, try and make this one last you an hour, and take care of my friend here. ANTHONY Where are you going? PHIL I got to go see Frankie. Phil walks out of the stall into the Bathroom Where he walks to the sink and looks at himself in the mirror. He turns on the water and splashes some on his face. He looks back up at the mirror and sees the reflection of Agent Lutz and Agent Grizzo. He thinks he is hallucinating and splashes more water on his face. He looks back up at the mirror to see that the agents are still there. He turns around. GRIZZO Phil Catalano? Agents Grizzo and Lutz flash their badges. GRIZZO My name is special Agent Grizzo and this is Special Agent Lutz. Were with the DEA. You are under arrest for narcotics trafficking. Agent Lutz turns Phil around and handcuffs him. Two more agents enter the bathroom and kick in the stall. Agent Come on, lets go. You are all under arrest. GRIZZO You have the right to remain silent. Any thing you say can and will be used against you in a court of law. Phil is escorted out of the bathroom. INT. vIP ROOM AT FACTORY - nIGHT The celebration is broken up by a joint raid between the FBI and DEA. All of the guests are being frisked. Frankie is patted down by an agent of the FBI. Fbi agent So, tell me, Mr. Garrafolla. Whats the reason for the celebration? Your boss just ate a bullet a couple of hours ago. FRANKiE (Drunk) What are you going to arrest me for? Having a few drinks with my friends? FBI AGENT Youre making it too easy for us, Frankie. 0002000006C30001A2396BD,The agent turns Frankie around. FBI AGENT Welcome to the world of being the boss. Frankie fixes his suit. Then he throws up on the agent An agent finds a gun on Angelo. FBI AGENT two Arrest this one for weapons possession. INT. basement of factory - nIGHT Chemists are working in a lab. Pills of ecstasy are being produced by the thousands. Ketamine is being made in massive amounts. A loud burst and several DEA agents rush in with their guns pointed. Dea agent Everybody, freeze. The chemists freeze and hold their hands up. Chief Cunningham walks into the basement and looks at the laboratory equipment. CHIEF We got him now. EXT. front of factory - nIGHT Agent Lutz and Grizzo walk Phil out in handcuffs. Agent Pittman approaches them. PITTMAN Hey asshole, remember me? Phil stops and looks at Agent Pittman. PHIL Its Pete Blaze. Do you want some water, Pete? Lutz pushes Phil forward. LUTZ Keep walking. Phil is escorted into a car and is put in the back seat. Vinny and Ronnie are walked out of the club in handcuffs by DEA agents. Josephine and Nikki are also handcuffed and walked out. The club is being shut down by law enforcement. The street is filled with police, the FBI, the DEA and fire marshals. INT. ericas parents house - MORNING Erica sits at the table, drinks her coffee and turns a small television set on. The news is on. Insert - television ANCHORWOMaN Last nights murder of Mafia boss Arthur Gennerro, Senior answers questions of whether or not the Italian Mafia is still willing to use violence as a means, of settling disputes among its members. Back to scene ERICA Mom, come here. You wont believe this. Marnie comes over. MARNiE What is it, honey? ERICA Phils boss has been killed. Look. 000200000A440001A8F6A3E,Insert - television A photo of Arthur Gennerro Senior. ANCHORWOMaN In other news, the popular club hangout The Factory has been shut down barring an investigation by the DEA and FBI. A photo of Phil being walked out in handcuffs. ERICA (O.S.) Oh, my God. MARNiE (O.S.) Thats Phil. ERICA Why did I have to fall in love with this guy? MARNiE I told you he was trouble. ExT. shopping center - three months later - day Bob gets out of a Dodge Neon. He is wearing a cheap suit that has a name tag on it that says, Dick Peterson Manager. He walks inside a franchised restaurant. INT. franchised restaurant - DAY Bob enters. A waitress walks by him. Waitress Hi, Dick. BOB Hello. The assistant manager walks up to him. Assistant manager Im glad youre here, Dick. Table four has a problem with the steak. BOB So why dont you just give them another one? ASSISTANT MANAGER He is kind of rude and he has got a New York accent, so I figured that I would let you handle it. The assistant manager pats him on the back and walks away. BOB Thanks. At table four Two Italian men are sitting. Bob comes over. BOB Gentlemen, my name is Dick and Im the manager. Is there a problem with the steak? Italian man one Yeah Dick, there is a problem - Bobs face begins to show fear and anxiety. ITALIAN MAN ONE I ordered a well done T. Bone and look what they bring me. The Italian guy cuts open a rare and bloody steak. ITALIAN MAN ONE Does that look well done to you? Bob looks at the steak and becomes dizzy. He begins to hallucinate. He looks at the men and sees Phil and Vinny. PHIL Hey Bob, Im talking to you. Would you look at this fucking steak? This is the worst fucking steak Ive ever seen. Bob sees Jim Scarlet sitting at the table with Phil and Vinny. JIM I have to agree with Phil on this one, Bob. Thats one fucking horrendous-looking steak, if you ask me. Jims arm has needle marks that are pulsating. Bob looks at Vinny. VINNY Ill eat the fucking steak. Give it to me. Vinny stabs the steak with a knife and takes a bite of it. Blood pours down the side of Vinnys mouth. VINNY Tastes good to me. PHIL Hey Bob, I got that ten percent that I promised you. Phil puts a stack of money on the table. PHIL There is only one problem. Phil pulls out a gun and shoots Bob. On the floor Bob is awakened by a waitress who is slapping him in the face. WaITRESS Easy, Dick, you fainted. BOB Where is Phil? WAITRESS You want Phil? Phil can you come over here please? Phil the waiter (O.S.) Just a second. Bob looks up and sees a waiter with a name tag reading Phil. Phil the waiter Are you okay, Bob?? Fade out 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(O.S.) (O.C.) (CONT'D) (SUBTITLE) (on t.v) (to himself) (in Spanish) (in spanish (to herself) (to herself (on tape) (on tape (to Nikki0 (to Nikki) (to artysTTR CUT TO: FADE IN: FADE OUT. FADE TO: DISSOLVE TO: BACK TO: MATCH CUT TO: JUMP CUT TO:FADE TO BLACK.sTSI=INTEXTI/E5 RESTAURANTPHIL'S BACKYARD ADAM & EVE BOB'S OFFICEGENTLEMANS CLUB VIP ROOMGENNERROS RESTARUANTMASSAGE PARLORDEA HEADQUARTERS GOLF COURSE THE FACTORYPARKING GARAGE PHILS OFFICE ALLEYWAY BATHROOM'#SECOND LEVEL DANCE FLOOR OF FACTORYBARVIP ROOM AT FACTORY#THE STREET IN FRONT OF THE CLUB PHIL'S OFFICE RESTARUANT STREET#ROOFTOP OF A HIGH RISE BUILDINGCOMACOMA NIGHT CLUB PHIL HOUSE COAT ROOM IN COMA NIGHT CLUBMAIN ENTRANCE OF FACTORY NEW YORK UNIVERSITY HOSPITALERICA'S MOTHERS CAR SIDEWALKAPARTMENT BUILDINGNIGHT CLUB COMA HOSPITAL ROOM PENN STATION SUBWAY PHONE BOOTH BAHA CLUBFRANKIE'S OFFICESENIORS RESTUARANTLIMO ALLEYBASEMENT OF FACTORYFRONT OF FACTORYERICA'S PARENTS HOUSESHOPPING CENTER($SHOPPING CENTER - THREE MONTHS LATERFRANCHISED RESTAURANT!FRONT DOOR OF NIGHT CLUB COMAERICA'S MOTHER'S CARGENNERRO'S RESTAURANTCOMA NIGHTCLUBSTAGE FRANKIE'S STRIP CLUBsTSTpDAY NIGHT AFTERNOON MORNING EVENING LATER MOMENTS LATER CONTINUOUS THE NEXT DAYSAMEFIVE DAYS LATERSATURDAY NIGHTTHREE MONTHS LATER FIVE DAYS LATER -їmCRO9INTINT. 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